Last month, a dozen activists gathered at the Whitney Museum of Art to condemn the institution’s lack of modern context about the HIV/AIDS epidemic in relation to Wojnarowicz’s artwork. Their action was noticed by the art world and the museum, which is continuing to talk to the protesters after changing a label to reflect on the fact that the AIDS crisis is not over.
In this episode we talk to Wojnarowicz biographer Cynthia Carr, author of Fire in the Belly: The Life and Times of David Wojnarowicz, who helps narrate the complicated story of an artist who has become one of the luminaries of New York’s East Village scene in the 1980s. I also invited two artists, Jean Foos and Frank Holliday, who knew Wojnarowicz during his lifetime, to help paint a picture of a scene that burned bright, but was eventually snuffed out by a commercial art world obsessed with novelty, and the looming disaster that was AIDS.
A special thanks to Twig Twig for the music to this week’s episode. You can listen to that and more at twigtwig.bandcamp.com and other streaming services.
This and more in our current episode of our weekly Art Movements podcast.
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I truly enjoyed every minute of this podcast/story. Your passion and interest not only in the artist but the context on which he lived and created is contagious. Full disclosure, I did not know about the artist and now can’t wait to see his show at the Whitney. But I was riveted with the era he lived in. You brought me back to the late 70’s and 80’s literally, I felt like I was walking the streets and visiting those bars, lofts, and art galleries. But as an activist, I am most proud of the light you shine on the AIDS epidemic and how you left us with actions to take. Thank you!
I also found this is a brilliant article. The statistics for the current epidemic are disturbing and saddening.
A link to my own art, a segue way but not irrelevant.
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