Support Hyperallergic’s independent arts journalism. Become a Member »

Support Hyperallergic’s independent arts journalism.

Marina Abramović describing her “Slow Motion Walk” technique inside what was to be the Marina Abramović Institute in Hudson, New York. (screenshot via YouTube)

“I had to do it for my art.”

That’s how Marina Abramović’s attacker justified smashing a self-made portrait of the famed performance artist over her head. Reportedly a 51-year-old Czech artist living in Florence, the Italian city’s mayor, Dario Nardella, tweeted that Abramović’s assailant was “not new to this type of gesture.” Authorities have not yet named the man in question.

The incident occurred in the courtyard of the Palazzo Strozzi, where the artist was signing books in promotion for her retrospective exhibition, The Cleaner, at the Florentine gallery.

The gallery’s director Arturo Galansino posted on Instagram that Abramović was unharmed by the assault, posting a selfie with the artist. “We’re fine! Everything is fine!” read the photo’s caption. “Marina Abramović is fine and has not suffered any physical damage. After checking with the police, she left Palazzo Strozzi with serenity. Immediately after the incident, she wanted to meet the aggressor for a direct confrontation on the reasons for this action.”

Speaking with the local edition of the Italian newspaper, La Repubblica, Abramović said that she initially thought the man was approaching her with the painting as a present. That was before his expression suddenly changed, and he became very violent. Abramović recalls that she was suddenly trapped inside the portrait’s frame while guards apprehended her assailant and she was whisked away from the scene by the Palazzo’s director.

“Why this hatred against me?” Abramović asked. “What’s the reason? Why this violence? I had not done anything. I had never met him before. He said: ‘I had to do it for my art.’ This was his answer.”

The performance artist also made a distinction between her work and her attacker’s actions. “Violence against others doesn’t make art. I was also a young artist who was not famous, but I have never hurt anyone. In my work I stage different situations and put my life at risk. But this is my decision and I set the conditions.”

An image of the attacker in custody (screenshot from the video by the author)

Italy has not exactly been kind to Abramović over the last couple months. In August, a promotional poster the artist designed for the Barcolana sailing regatta in the Gulf of Trieste caused controversy. It’s migrant crisis-related refrain, “We’re all in the same boat,” angered the rightwing mayor of Trieste, Paolo Polidori, who compared the poster to Mao Zedong’s Communist political propaganda.

The Latest

Carles Guerra: An Endorsement of an Amicus Brief for Lanier v. Harvard

We cannot be indifferent to the long-lasting effects of photography. The photographs at the center of Lanier v. Harvard are relentless in making Renty and Delia Taylor work and perform as slaves. The pain inflicted on them has not ceased. Photography has the capacity to propagate harm, and we have the moral obligation to interrupt…

Zachary Small

Zachary Small was the senior writer at Hyperallergic and has written for The New York Times, The Financial Times, The Nation, The Times Literary Supplement, Artforum, and other publications. They have...

5 replies on “Marina Abramović Assaulted by Man Who Says He Did It for Art’s Sake”

  1. Seems like a reasonable approach to this aesthetic. Perhaps Hyperallergic will do a feature on his art?

  2. I don’t understand the hype surrounding Marina honestly thus I can’t understand why there would be such a reaction either.

    The world’s gone mad that we put her on a pedestal for truly narcissistic work and her attacker felt the need to attack..

    It’s all so ridiculous.

  3. I know that some people have been critical of her recent work, but
    Marina has earned her status and made some truly groundbreaking
    contributions to contemporary art. She is, however one of the few female
    artists who has an ego that compares to the norm set by millions of male artists, and, for
    that, she is the target of misogyny. She is the Hillary Clinton of the
    art world.

Comments are closed.