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The Whitney Museum of American Art received a gift of sculpture and works on paper from the Mary Ann Unger Estate. The gift includes one sculpture and five works on paper produced by Mary Ann Unger between 1978 and 1980. “We are delighted that the family and estate of Mary Ann Unger have chosen The Whitney as the repository for these important works made by a pioneering female sculptor,” said Jane Panetta, associate curator at The Whitney. “The gift will allow the Museum to make people aware of this important female American artist and adds to our holdings of work made by women of this generation.” Unger’s later work, “Across the Bering Strait” (1992–94) will go on view today in the artist’s former home and studio at 5 East Third Street, 8th Floor. The re-installation was curated by Alexandra Schwartz. [via email announcement]
Artist Ugo Rondinone’s newly commissioned work for the Liverpool Waterfront, commissioned by Liverpool Biennial and Tate Liverpool, was unveiled on Tuesday. The work is called “Liverpool Mountain” and is Rondinone’s first public artwork in the UK. This is part of Rondinone’s Magic Mountain series, with similar sculptures in Miami, Gwangju, and Las Vegas. [via email announcement]
This month, the Louvre Abu Dhabi will unveil 11 new acquisitions in its permanent gallery and 40 new loans from around the world. According to the press release, the new acquisitions include: a monumental Avalokiteshvara Buddhist sculpture from China (11th–12th century); four tapestries depicting “The Hunts of Maximilian” from an original drawing by Bernard van Orley from France (1665–1674); a Japanese Samurai armor (18th century); a rare conical helmet from Mongolia or China (13th–14th century); a Phoenix-headed Ewer from the Tang Dynasty, China (8th century); a rock crystal knife with a jeweled parrot from India (c. 1600); a jeweled katar dagger from India (18th century); a rare Albarello decorated with fleurs-de-lys from Syria or Egypt (14th–15th century); a three medallion Mamluk carpet from Egypt (late 15th century); a rare Ottoman horse armor (15th–16th century); and a Mamluk bowl from Egypt or Syria (late 13th or early 14th century). [via email announcement]
William Crovello’s “Cubed Curve” (1972), once on display in the plaza of the Time-Life building in Midtown Manhattan, was donated to Ursinus College’s Berman Museum by the Rockefeller Group. The sculpture sat in the plaza of the Time-Life building for 42 years and was installed at the Berman Museum on Monday. The official unveiling will be on Saturday, November 3. “We are delighted to receive this major gift, which signals the growth of our collection and programming at the museum,” said Berman Museum Director Charlie Stainback. “Just as it was a recognizable feature in New York City, so too will it be a place marker and meeting place on our campus, as well as a symbol of our commitment to showcasing the best examples of contemporary art.”
Ruby City contemporary art center in San Antonio, Texas has acquired Liz Larner’s ceramic wall relief sculpture “iv (inflexion)” (2014–15) from Regen Projects, Los Angeles. According to the press release, the chromatic surface “is uneven with breaks and fissures, cracks, and a bend that bisects them vertically.” Initially, Larner did not intend for these imperfections, but the the sculpture broke in the process. As a result, she began to explore a “more experimental and unpredictable practice.” [via email announcement]
Sotheby’s Modern and Contemporary South Asian Art sale in London brought in a total of £974,313 (~$1,260,000) on October 23. The sale’s top lot, Ram Kumar’s “Untitled (Benares Ghat)” (c. 1960s), sold for £106,250 (~$137,000).
Sotheby’s sale of L’Art de Vivre: Property from the Collection of Kathleen and Martin Field in New York brought in a total of $2,251,875 on October 20. The sale’s top lot, a Louis XV gilt bronze-mounted tulipwood, amaranth, and marquetry commode by Mathieu Criaerd, circa 1755, sold for $187,500.
Sotheby’s French Cancan by Natalie Seroussi sale in Paris brought in a total of €4,739,750 (~$5,405,000) on October 20. The sale’s top lot, Jean Dubuffet’s “Cafetière, Tasse et Soucoupe, Sucrier [Coffee Cup and Saucer, Sugar Bowl]” (1965), sold for €669,000 (~$763,000).
Sotheby’s Art Impressionniste et Moderne sale in Paris brought in a total of €6,021,500 (~$6,867,000) on October 19. The sale’s top lot, Marc Chagall’s “La Mariée au Collier [The Bride at the Necklace]” (1977–80), sold for €825,000 (~$941,000).
Sotheby’s sale of Works from the Oscar Mairlot Collection from Magritte to Zao Wou-Ki in Paris brought in a total of €7,026,750 (~$8,013,000) on October 19. The sale’s top lot, René Magritte’s “La Table, L’Océan et le Fruit” (1927) sold for €1,929,000 ($2,200,000).
Sotheby’s La collection Renand-Chapet sale in Paris brought in a total of €5,458,875 (~$6,225,000) on October 18. The sale’s top lot, Paul Cézanne’s “Abricots et Cerises Sur une Assiette [Apricots and Cherries On a Plate]” (c. 1877–79), sold for €1,809,000 (~$2,063,000).
Sotheby’s Modernités sale in Paris brought in a total of €9,606,500 (~$10,955,000) on October 18. The sale’s top lot, Auguste Rodin’s “Penseur, Petit Modèle [Thinker, Small Model]” (c. 1880–81) sold for €2,409,000 (~$2,747,000).
Sotheby’s Arts of the Islamic World sale in London brought in a total of £8,988,325 (~$11,595,000) on October 24. The sale’s top lot, a highly important blue and white Iznik pottery charger, Turkey, circa 1480, sold for £5,359,950 (~$6,914,367.66).
Sotheby’s sale of 20th Century Art/Middle East in London brought in a total of £2,488,000 (~$3,210,000) on October 23. The sale’s top lot, Mahmoud Sabri’s “Iraqi Jnazet (Funeral)” (1961), sold for £346,000 (~$446,000).
Christie’s Art Moderne sale in Paris brought in a total of €10,139,750 (~$11,550,000) on October 18. The sale’s top lot, Marc Chagall’s “Les mariés au bord de la Seine [The bride and groom on the banks of the Seine]” (c. 1980), sold for €1,543,500 (~$1,758,000).
Christie’s She Was a Giant Collection Bénédicte Pesle sale in Paris brought in a total of €3,241,625 (~$3,692,000) on October 18. The sale’s top lot, Max Ernst’s “Âmes-sœurs [Soulmates]” (1961), sold for €787,500 (~$897,000).
The 40-year relationship that unfolded between Toklas and Stein became the bedrock of Paris’s artistic avant-garde.
Fifty works, all created by women, are brought together across time and media as the Norton Museum of Art reckons with the art world’s patriarchal past and present.
Over 50 years of the artist’s video and media work on how images, sound, and cultural iconography inform representation is on view through December 30.
In the Blactiquing Space, curator and collector Kevin Jones presents deeply fraught objects with emotion, connection, and care.
Dobkin caught the attention of critics early on with her quirky and occasionally self-deprecating works, which often center lesbian identity.
Over the course of three months, the resident artists in Going to the Meadow will collaborate and create with a curated set of continually changing materials.