The Whitney Museum of American Art received a gift of sculpture and works on paper from the Mary Ann Unger Estate. The gift includes one sculpture and five works on paper produced by Mary Ann Unger between 1978 and 1980. “We are delighted that the family and estate of Mary Ann Unger have chosen The Whitney as the repository for these important works made by a pioneering female sculptor,” said Jane Panetta, associate curator at The Whitney. “The gift will allow the Museum to make people aware of this important female American artist and adds to our holdings of work made by women of this generation.” Unger’s later work, “Across the Bering Strait” (1992–94) will go on view today in the artist’s former home and studio at 5 East Third Street, 8th Floor. The re-installation was curated by Alexandra Schwartz. [via email announcement]
Artist Ugo Rondinone’s newly commissioned work for the Liverpool Waterfront, commissioned by Liverpool Biennial and Tate Liverpool, was unveiled on Tuesday. The work is called “Liverpool Mountain” and is Rondinone’s first public artwork in the UK. This is part of Rondinone’s Magic Mountain series, with similar sculptures in Miami, Gwangju, and Las Vegas. [via email announcement]
This month, the Louvre Abu Dhabi will unveil 11 new acquisitions in its permanent gallery and 40 new loans from around the world. According to the press release, the new acquisitions include: a monumental Avalokiteshvara Buddhist sculpture from China (11th–12th century); four tapestries depicting “The Hunts of Maximilian” from an original drawing by Bernard van Orley from France (1665–1674); a Japanese Samurai armor (18th century); a rare conical helmet from Mongolia or China (13th–14th century); a Phoenix-headed Ewer from the Tang Dynasty, China (8th century); a rock crystal knife with a jeweled parrot from India (c. 1600); a jeweled katar dagger from India (18th century); a rare Albarello decorated with fleurs-de-lys from Syria or Egypt (14th–15th century); a three medallion Mamluk carpet from Egypt (late 15th century); a rare Ottoman horse armor (15th–16th century); and a Mamluk bowl from Egypt or Syria (late 13th or early 14th century). [via email announcement]
William Crovello’s “Cubed Curve” (1972), once on display in the plaza of the Time-Life building in Midtown Manhattan, was donated to Ursinus College’s Berman Museum by the Rockefeller Group. The sculpture sat in the plaza of the Time-Life building for 42 years and was installed at the Berman Museum on Monday. The official unveiling will be on Saturday, November 3. “We are delighted to receive this major gift, which signals the growth of our collection and programming at the museum,” said Berman Museum Director Charlie Stainback. “Just as it was a recognizable feature in New York City, so too will it be a place marker and meeting place on our campus, as well as a symbol of our commitment to showcasing the best examples of contemporary art.”
Ruby City contemporary art center in San Antonio, Texas has acquired Liz Larner’s ceramic wall relief sculpture “iv (inflexion)” (2014–15) from Regen Projects, Los Angeles. According to the press release, the chromatic surface “is uneven with breaks and fissures, cracks, and a bend that bisects them vertically.” Initially, Larner did not intend for these imperfections, but the the sculpture broke in the process. As a result, she began to explore a “more experimental and unpredictable practice.” [via email announcement]
Sotheby’s Modern and Contemporary South Asian Art sale in London brought in a total of £974,313 (~$1,260,000) on October 23. The sale’s top lot, Ram Kumar’s “Untitled (Benares Ghat)” (c. 1960s), sold for £106,250 (~$137,000).
Sotheby’s sale of L’Art de Vivre: Property from the Collection of Kathleen and Martin Field in New York brought in a total of $2,251,875 on October 20. The sale’s top lot, a Louis XV gilt bronze-mounted tulipwood, amaranth, and marquetry commode by Mathieu Criaerd, circa 1755, sold for $187,500.
Sotheby’s French Cancan by Natalie Seroussi sale in Paris brought in a total of €4,739,750 (~$5,405,000) on October 20. The sale’s top lot, Jean Dubuffet’s “Cafetière, Tasse et Soucoupe, Sucrier [Coffee Cup and Saucer, Sugar Bowl]” (1965), sold for €669,000 (~$763,000).
Sotheby’s Art Impressionniste et Moderne sale in Paris brought in a total of €6,021,500 (~$6,867,000) on October 19. The sale’s top lot, Marc Chagall’s “La Mariée au Collier [The Bride at the Necklace]” (1977–80), sold for €825,000 (~$941,000).
Sotheby’s sale of Works from the Oscar Mairlot Collection from Magritte to Zao Wou-Ki in Paris brought in a total of €7,026,750 (~$8,013,000) on October 19. The sale’s top lot, René Magritte’s “La Table, L’Océan et le Fruit” (1927) sold for €1,929,000 ($2,200,000).
Sotheby’s La collection Renand-Chapet sale in Paris brought in a total of €5,458,875 (~$6,225,000) on October 18. The sale’s top lot, Paul Cézanne’s “Abricots et Cerises Sur une Assiette [Apricots and Cherries On a Plate]” (c. 1877–79), sold for €1,809,000 (~$2,063,000).
Sotheby’s Modernités sale in Paris brought in a total of €9,606,500 (~$10,955,000) on October 18. The sale’s top lot, Auguste Rodin’s “Penseur, Petit Modèle [Thinker, Small Model]” (c. 1880–81) sold for €2,409,000 (~$2,747,000).
Sotheby’s Arts of the Islamic World sale in London brought in a total of £8,988,325 (~$11,595,000) on October 24. The sale’s top lot, a highly important blue and white Iznik pottery charger, Turkey, circa 1480, sold for £5,359,950 (~$6,914,367.66).
Sotheby’s sale of 20th Century Art/Middle East in London brought in a total of £2,488,000 (~$3,210,000) on October 23. The sale’s top lot, Mahmoud Sabri’s “Iraqi Jnazet (Funeral)” (1961), sold for £346,000 (~$446,000).
Christie’s Art Moderne sale in Paris brought in a total of €10,139,750 (~$11,550,000) on October 18. The sale’s top lot, Marc Chagall’s “Les mariés au bord de la Seine [The bride and groom on the banks of the Seine]” (c. 1980), sold for €1,543,500 (~$1,758,000).
Christie’s She Was a Giant Collection Bénédicte Pesle sale in Paris brought in a total of €3,241,625 (~$3,692,000) on October 18. The sale’s top lot, Max Ernst’s “Âmes-sœurs [Soulmates]” (1961), sold for €787,500 (~$897,000).
The Tweet comparing an ominous screen capture from the Tucker Carlson Show to one of Holzer’s Truisms is being sold as an NFT to benefit crucial organizations in the wake of the Supreme Court decision.
Rapper Maykel “Osorbo” Pérez was sentenced to nine years.
Shows at the Hudson Valley’s Hessel Museum of Art feature artists Dara Birnbaum and Martine Syms, as well as new scholarship on Black melancholia as an artistic and critical practice.
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PLEASE SEND TO REAL LIFE: Ray Johnson Photographs reveals the “career in photography” that occupied the artist in the last three years of his life.
Since antiquity, women’s eyebrows have been sites of intense scrutiny, constantly shifting between trend cycles.
A landmark show of 30 artists at Jeffrey Deitch gallery in New York keeps the category of Asian figuration open-ended.
Contemporary Black-Indigenous women artists Rodslen Brown, Joelle Joyner, Moira Pernambuco, Paige Pettibon, Monica Rickert-Bolter, and Storme Webber are featured in this digital exhibition.
Hall makes no attempt to entice the viewer to begin looking and to look again, letting her methodical craft compel viewers to reflect upon their experience.
In Benglis’s latest works, the forces of gravity that defined her seminal poured latex and polyurethane pieces are traded for luminous bronzes.
A new project by Columbia’s Queer Students of Architecture, Planning, and Preservation explores queer histories that have been suppressed by gentrification and urban development.