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Tyler Green may be best known as the journalist and art writer behind the Modern Art Notes podcast, but for the last six years, he’s also been working on a major book about a photographer who helped establish the sublime visual record of the American West for viewers around the world.
In his new book, Carleton Watkins: Making the West American, Green writes a very readable story about a figure who blended art and science, helped establish photography as an art, and whose images helped galvanize a citizenry that would eventually establish a national park system around the country. Green managed all of this despite being faced with a researchers nightmare: Watkins’s archive was destroyed in the 1906 San Francisco Earthquake.
Then there’s the twist, as Green discusses a very personal connection to Watkins that he discovered in the midst of his research. It’s a fascinating tale that shows us history is often more present than we know.
A special thanks to Mark Pritchard of Warp Records for providing the music for this episode.
New works by one of Bangladesh’s most prominent photojournalists, writers, and activists are on view at the Chicago art space through November 27.
Council often uses humor as a political tool to expose systems of power and inequality in a society in which even death carries a high price tag.
An exhibition at the San Francisco Opera House pairs the work of incarcerated artists with Beethoven’s story of unjust imprisonment.
Many works take disruption and repetition as their themes, and many artists resurface in different sections, creating multiple affinities.
Hear from Holly Jean Buck, Carolina Caycedo and David de Rozas, Simon Denny, Elizabeth Hoover, Renee Kemp-Rotan, Joseph Kunkel, and more at this free public event.
In Cooking with Paris, Hilton capitalizes on her portrayal of being a competent woman, while highlighting its anachronism through her absurd performance. Rosler manipulates the camera in the same way.
EFA Open Studios offers a portal into the creative habitats of over 65 artists working in Manhattan’s longest-running studio program, including Dannielle Tegeder, Wafaa Bilal, Cui Fei, and Anina Major.
A man says Blue Bayou took details of his life without his permission. Several women who appear in the documentary Sabaya say they did not consent to be filmed. How can filmmakers avoid these ethical pitfalls?
Ursula Biemann, Nicolas Bourriaud, and others said they will no longer participate in the event.
There is an official ban against the public mourning of Tiananmen Square victims in Hong Kong and mainland China.