“I’d rather see this than Andy Warhol any day!” a young Whitney visitor exclaimed to her friend Sunday afternoon, as she sprinted from the museum door to the lobby. As the atrium slowly filled with the scent of burning sage, protesters shouted, “We will not be silent” and “Decolonize this place.”
Members and supporters of activist group Decolonize This Place, alongside curious onlookers, arrived outside the Whitney just after noon. Visitors hoping for a selfie with Marilyn Monroe or a Campbell’s soup can print were treated to art of a different kind.
Armed with colorful banners reading messages like “WHITNEY MUSEUM: NO SPACE FOR PROFITEER OF STATE VIOLENCE,” drums, a cowbell, and the aforementioned burning sage, protesters gathered on what one member aptly described as “a cold ass Sunday,” to lead a protest against Warren B. Kanders. Kanders is a Vice Chairman on the Whitney Board of Directors, and the owner of Safariland, a tear gas manufacturer whose products were used on immigrant families approaching the US–Mexico border, seeking asylum in the United States. He was also among those who provided “significant support” to the blockbuster Andy Warhol exhibit, From A to B and Back Again, according to the exhibition’s web page.
“The immediate goal is that Warren Kanders must go,” said Marz Saffore, a member of Decolonize This Place. Saffore emphasized, however, that Kanders is only a symptom of a larger problem. Saffore continued, “That does not mean that there aren’t dozens and dozens of other issues within the board of trustees at the Whitney, or within the way that the Whitney shows art or who curates the art.”
The protest, according to organizers, was in solidarity with but separate from the nearly 100 Whitney staff members who signed a letter expressing their dismay at Kanders’s presence on the board and requesting a new policy around trustee participation in exhibitions.
In response to that letter, Museum Director Adam Weinberg wrote in a statement: “Even as we are idealistic and missionary in our belief in artists — as established by our founder Gertrude Vanderbilt Whitney — the Whitney is first and foremost a museum. It cannot right all the ills of an unjust world, nor is that its role.” Weinberg also called the museum “a safe space for unsafe ideas.”
Maria Garcia from Comite Comadre, a group that supports asylum-seekers and fights against deportations, told Hyperallergic that the museum’s claims to be “a safe place for unsafe ideas,” as stated by Weinberg, is “a slap on the face of their workers and the public at large.” Weinberg’s response, says Garcia, “infantilizes and insults” the pain that her community is going through at the border.
To help spread the message of that pain, organizers fanned out across the plaza in front of the museum and at the entrance to the Highline, handing out flyers that read, in part:
Need we remind Weinberg that “the laws of society” have included the legal sanctioning of slavery, the Indian Removal Act, Jim Crow laws, and indeed the entire juridico-economic regime of settler colonialism, white supremacy, and capitalism that underpins contemporary US society?
We say to Weinberg: We are not fools. We know law is not justice. Your statement makes it clear which side you are on: the side of Safariland, and this we simply cannot accept.
Passersby were largely receptive, stopping to ask the protesters questions and to take pictures and videos of them, even following protesters into the museum’s lobby around 1pm. Museum security tried to hold back the group with a series of lines, supposedly for a bag check, which ultimately failed when around 70 protesters pushed past the guards. They formed a circle that eventually overflowed the space between the gift shop and the ticket desk and lit sage, sang, chanted, and a series of speeches were delivered from members of the American Indian House, the Bronx-based Hydro Punk movement, and the New Sanctuary Coalition.
Shellyne Rodriguez, a member of Decolonize This Place, told Hyperallergic that she felt compelled to protest today because, “If we do not shock and awe this museum with our anger and our rage, then we’re saying it’s okay. Who’s going to be the next person on the board? One by one, we need to hold these people accountable. It’s about time we start questioning where our philanthropy comes from.”
Rick Chavolla from the American Indian Community House in New York City, a nonprofit representing Indigenous communities in the city, told Hyperallergic, “Finding out that [Kanders] is CEO of Safariland was incredibly sad for us. Admittedly, it angered us to know that it’s someone who is responsible for tear-gassing our own Indigenous people in Standing Rock, and more recently, on the border.” The American Indian Community House has an ongoing collaboration with the Whitney Museum, a series of monthly events named “Socials,” which highlight Indigenous culture.
The recent revelations, says Chavolla, put the next “Social” event, scheduled for February 22, 2019, in question. “We have to able to move forward in a way that we know that the museum is conscious of who their leadership is … If the Whitney Museum is not going to find a way to change that leadership, we are really going to have to rethink our ongoing relationship with them.”
Around 1:30pm, the fire department arrived, apparently because of the increasing layers of smoke. Protesters were undaunted, shouting “Fire! Fire! Fire to the colonizers!” and demanded that if the sage were, in fact, a fire hazard, that they be allowed to put it out themselves. Eventually, the protesters relocated, and the action continued peacefully back outside.
Whitney representatives did not offer comment when reached prior to Sunday’s event and have not yet responded to followup requests.
better than tear gas
Can art matter when politics take precedence?
Art is powerful. Art is political, intentionally or not. Art is politically powerful. As Hyperallergic demonstrates.
Decolonize This Place is a joke of an activist organization.
Their pie in the sky demands and also ignorance of who funds art in this city and without it they wouldn’t have a platform to protest. Everyone’s agreed on the sinister nature of this billionaires company, they just jump on the outrage bandwagon and even constantly criticizing the Brooklyn Museum on the race of it administrators no matter how they may be fit for the jobs.
Please don’t spread false info on this site. That’s not what they claim.
Not spreading false info their own press speaks for itself.
Dude! Colonialism is real! War-mongering is real! Class privilege/narcissism is real! Wake up! These people are our living saints, our creators of justice!
Don’t feed the trolls.
And so do you. This performative wokeness is why no one takes this seriously, go spread blood on a statue decrying colonialism while the rest of the art world looks the other way and benefits from the status quo from all of our museums, this blog is a product of that too, Hrag be real your criticism only goes so far.
We gave other things to write about. But you seem to not want to listen to others who see this issue differently. We report on what is happening, including the hypocrisy, that’s our job.
Sure, no surprise. The dems are hell bent to disarm America in a UK style gun confiscation scheme. First it is guns, then it is pepper spray. In the UK the debate is now whether to ban toy guns.
Actually, it’s way past time for full disclosure on all Board members at all major Arts Institutions. Artists and the public, especially members, deserve to know exactly how these places are funded. Kanders and the Sacklers being only the most recent, exposed examples. It’s a great protest action/intervention, for sure, but it’s still interesting how we don’t seem to be seeing many of the artists whose works are in the Whitney, speaking out and organizing. (I’m sure there will be plenty of artists who may disapprove of Kanders, but still clamor to get in the next Biennial, sigh, still buying in to the game.) At least Nan Goldin is speaking out against/protesting the Sacklers. Kanders and Weinberg both need to go, now, please. No compromises. Great job DTP! Thanks for this update, Hyper! Loving the visitor quote, “I’d rather see this than Andy Warhol anyday!” Speaks volumes….real life art vs decorations and investments for the 1%.
FFM This is a thoughtful comment, indeed, where are the artists who have been displayed/exhibited at the Whitney. And where are all the ‘wannabes’ who enter the Annuals etc Are they ’secretly’ involved like unknown moneybaggs in the protests? Everyone’s got a ‘game’ – playing the ego or the markets – pun intended, all sides need to be De Colon- ized. Where’s an artist managed museum ? Like J Johns etc couldn’t set up ‘real art’ museums rather than mausoleums of decorations and investments and ‘art trophies’ of the rich. ( like change the Malls into a chain of living museums where artists live and work – even in the coffee / donut shops ….. in other words, create something in response to this ‘problem’ that will actually advance all of us.
Could not agree more re overpopulation. Also, a driving force of capitalism is to make sure everyone is having babies. That is what fuels the anti-Planned Parenthood, anti- Roe-vs-Wade people. More babies means more money and dependence on capitalism. Don’t allow abortion and don’t present adoption as an option, and capitalism will be just fine, as we all see how fine it is ! And, yes, Nan is a complete hypocrite, but at least she is speaking up about the Sacklers, better late than never, which is more than can be said for a lot of other fame game players in the Whitney whose very notable silence on Kanders/Weinberg is also a form of hypocrisy. Thank you again, DTP for acting up! And yes, I agree, Chelsea was once a very much more real place than the whitened privileged place it has become today. Rock on.
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