Yesterday, Smithsonian officials announced that due to the ongoing government shutdown, all 19 of its museums, as well as the National Zoo, will close on Tuesday, January 2 unless an agreement is reached. As the shutdown continues, more and more government offices are running out of money, with the Environmental Protection Agency, which employs 14,000 workers, prepared to close down as well.
“There’s no getting around it,” Linda St. Thomas, chief spokeswoman for the Smithsonian, said to NPR. She added that the Smithsonian will remain open through New Year’s Day, using funds from previous years. According to The Hill, the Smithsonian’s federal appropriation for 2018 was $1 billion.
Some museums are preemptively warning the public of an imminent shutdown. The National Gallery of Art currently has a banner at the top of their webpage that reads: “The Gallery will be open to the public through Wednesday, January 2. The Gallery’s status after January 2 is yet to be determined. The Gallery is always closed on January 1.”
Since Saturday, about 380,000 federal workers have been forced to stop their jobs due to the government shutdown, and come Tuesday, Smithsonian employees will join the furlough. Roughly two-thirds of Smithsonian staff are federal employees.
According to the Washington Post, if the Smithsonian remains closed for an extended period of time, “it can be a boon for the city’s numerous private museums.”
Thomas also told NPR, “The most important thing was to be able to get through this week because we didn’t want to disappoint people,” adding that traffic and tourism to the Washington, DC area begins to slow in January and February. “But, even then,” she said, “you still have people who come for a once in a lifetime visit or to see something very special and it’s a shame to turn them away.”
Among the museums that will be closed are the very popular National Museum of African American History and Culture, the National Museum of Natural History, and the National Museum of the American Indian Heye Center in New York City.
Hyperallergic has reached out to the Hirshhorn Museum, the National Gallery of Art, and other institutions, to ask if they will indeed be closing. This post will be updated as we hear back.
Update, 12/28/18, 4:45 pm:
The National Gallery of Art is not on the same schedule as the Smithsonian, according Anabeth Guthrie, a spokesperson for the museum. In a phone call with Hyperallergic, Guthrie stated that the museum is always closed on Christmas Day and New Year’s Day but will reopen on January 2 using “carryover funds.” On January 3, they will proceed to shut down if there are no changes with the federal government.
As much as I appreciate the collective’s culture jamming initiatives, I don’t know that their putative premise ever bears meaningful fruit.
The banana’s dominance and ubiquity has had serious and far-reaching implications for the region, engendering exploitative labor systems, climate change, and migration.
The first lecture is on the relationship between early portrait photography and diverse notions of US identity during the Gilded Age. Register to attend on January 25.
Charles Dellheim’s study tells the tale of a small group of Jewish art dealers and collectors who played a key role in the changing art world of the 19th and 20th centuries.
The 18-month fellowship aims to provide artists with “as much access as possible” to the club’s facilities and networks “at a time and place convenient to artists.”
Part of the university’s Artists on the Future series pairing renowned artists with cultural thought leaders, this online event is free and open to the public.
A coalition of investors raised funds to purchase the film’s storyboard and announced they would “make the book public.”
A new project, “Emoji to Scale,” orders every mini-object by their real-world dimensions.
Although Khedoori does not depict living beings, their presence is evoked in the traces they leave behind.
The Bronx Museum’s fifth biennial continues to focus its programming on individual identity, eliding the ever-divergent interests of the art market and local communities.
While it may be strange to think of food insecurity as a basis for art, the works in Food Justice reveal barriers and injustices in food access.