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Week in Review is a weekly collection of news, developments, and stirrings in the art world. Subscribe to receive these posts as a weekly newsletter.
Curators at the British Museum realized that a work of art they have been advertising as a vase, is actually a mace-head flipped upside down. The fired-clay object was not a pottery vessel, but rather a weapon made for King Gishakidu of Umma. The researchers realized their mistake — which they call “daft” — while preparing for a small exhibition on a Sumerian border clash, when they came across a similar-looking mace held at Yale University. [TAN]
After pleading guilty for filing false federal tax forms in September, star art dealer Mary Boone is facing prison time. However, Boone has asked the court to reconsider the possible jail sentence, saying she acted out of trauma. Boone’s lawyers have requested she be sentenced to home confinement, probation, and community service, as the gallerist is continually affected by her unstable childhood, surmounting to substance abuse, mental health issues, and a fear of returning to the poverty of her youth. “Behind the facade of success and strength lies a fragile and, at times, broken individual,” her lawyer wrote. [NYT]
Italy has rescinded its loan of three Leonardo da Vinci works from the collection of the Uffizi Gallery to France. The paintings had been promised to the Louvre in Paris for the 2019 exhibition celebrating the 500th anniversary of the painter’s death. Lucia Borgonzoni, the undersecretary for the Italian ministry of culture, explains their rationale, saying: “Leonardo is Italian; he only died in France … giving the Louvre all those paintings would mean putting Italy on the margins of a great cultural event.” [TAN]
The Uffizi Gallery in Italy saw record attendance in 2018 — more than four million visitors — experiencing a 25 percent jump in ticket sales after introducing a fluctuating pricing system that changes with the seasons. [Monopol]
After 30 months of research, the French Ministry of Culture has declined to purchase “Judith Beheading Holofernes,” which was believed to be by Caravaggio after it was discovered in an attic in 2014 outside of Toulouse, France. Experts believe it is likely not by the Italian Baroque artist. The unsigned painting is now able to travel abroad and possibly go up for public sale. [Le Figaro]
Banksy’s “Love in the Bin” (2018) (formerly “Girl with Balloon” (2006)) will go on public display for the first time since the anonymous street artist infamously shredded the work using a remote control at Sotheby’s in London. The altered canvas will go up in February at a privately owned museum in Baden-Baden, Germany. [TAN]
A user called “MaxakalisaurusTopai” has launched a campaign through LEGO to construct a model of the National Museum in Brazil (which tragically burned down in September, destroying over 90% of its collection) using the miniature building blocks. The user’s solution? MUSEUM LEGO. “We’ll leave the National Museum alive in the imaginary,” MaxakalisaurusTopai writes. “We’ll rebuild it brick by brick with LEGO, highlighting its historical importance. And the children who help build the National Museum will actually be helping to rebuild the National Museum in real life. All royalties from the MUSEUM LEGO sales will be reverted to the Museum’s reconstruction fund.” The campaign currently has almost 3,000 supporters. [LEGO]
Newly-elected Brazilian president Jair Bolsonaro, widely criticized for his populist, rightwing politics, has disbanded the Brazilian Ministry of Culture just days after being sworn in. He has instead launched a Ministry of Citizenship, which tackles social policy, sports, and culture. [Artnet]
The National Gallery in London will loan 60 works, including Van Gogh’s “Sunflowers,” to Japan for nine months for a traveling exhibition in Tokyo and Osaka. The exhibition, called Masterpieces From the National Gallery, will coincide with the Tokyo Summer Olympic Games in 2020 and is the largest loan the UK museum has sent abroad since it was founded nearly 200 years ago. [TAN]
The Andrew W. Mellon Foundation has granted the Peabody Essex Museum in Salem, Massachusetts $1.3 million to support its Native American fellowship. [via email announcement]
Monika Grütters, the German Minister of State for Culture (CDU) has announced the return of a Nazi-looted painting from “Kenstfund Gurlitt.” The painting is a portrait of French painter Thomas Couture’s wife and is titled “Portrait de jeune femme assise [Portrait of a seated young woman].” It was identified in 2017 as the property of Georges Mandel, a high-ranking Jewish politician and Nazi opponent, and the work was returned to his heirs this week. When the painting was originally stolen, Mandel’s companion claimed it had a small tear at the breast height of the woman, and it was through this tear that the painting was eventually tracked down.
This and other notable sales and acquisitions are chronicled in our latest Transactions story.
More News from This Week
- El Museo del Barrio Rescinds Philanthropy Award for Rightwing German Princess
- College Basketballer Poses to Lend an Ancient Roman Statue an Arm
- Bauhaus Bus Embarks on World Tour to Explore a Global Legacy
- This Wild Car Design May Look Like a Mars Rover, But Could Save Your Life
- Lin-Manuel Miranda and Hamilton Collaborators Save Drama Book Shop From Closing
- Over 7.36 Million People Visited the Metropolitan Museum in 2018
- Amidst Leadership Turnover, German Museum Cancels Joan Jonas and Adrian Piper Retrospectives
- NY Judge Dismisses Lawsuit Alleging Defamation by Artforum Co-owner Accused of Sexual Misconduct
- Over 6,000 Ottoman-Era Photographs Now Available Online
The University of Virginia researchers wrote that the data “provides compelling evidence that these symbols are associated with hate.”
We are waiting for spectacle and when the quotidian, yet incongruous actions occur I wonder whether there is any real payoff coming.
Hear from Holly Jean Buck, Carolina Caycedo and David de Rozas, Simon Denny, Elizabeth Hoover, Renee Kemp-Rotan, Joseph Kunkel, and more at this free public event.
Tanega’s approach to mark-making comes across as stream of consciousness, as if she’s engaged in a conversation with herself.
Starting Monday, readers can borrow one of 50 rare and out-of-print titles, mailed to them completely free of charge, from Saint Heron Library.
EFA Open Studios offers a portal into the creative habitats of over 65 artists working in Manhattan’s longest-running studio program, including Dannielle Tegeder, Wafaa Bilal, Cui Fei, and Anina Major.
This is Yuskavage’s great gift, turning upside down our settled ways of thinking and seeing and, with ease, transforming the vulgar and ridiculous into the sublime.
51 international publishers and galleries showcase their latest editions in prints and artists’ books at this free public fair, which is fully online this year.
While hardly about the pandemic, or any of the other crises so afflicting us, all are invoked in this exhibition, which is also often tender and profoundly soulful.
These glowing, dynamic artworks reproduce something of Bosch’s chaotic energy, but on an immersive, multi-sensory scale.
This week, addressing a transphobic comedy special on Netflix, the story behind KKK hoods, cultural identity fraud, an anti-Semitic take on modern art, and more.