Sarah Vaughn performed at the Flamingo Club when Lois Perry worked there as a waitress. “She once handed out a $100 bill and said, ‘Keep the change, darling,’” Perry says before breaking into laughter. The Flamingo Club, Perry’s workplace in Idlewild, Michigan, was one of the many businesses in Idlewild that was featured in Harlem postal worker, Victor Green’s Green Book.
A recent Smithsonian Channel documentary, The Green Book: Guide to Freedom, directed by Yoruba Richen, revisits The Negro Motorist Green Book, a travel guide that Victor Green published from 1936–66 to ensure that Black people could travel safely — without embarrassment or danger — through Jim Crow’s America. The guide included a list of hotels, restaurants, salons, and other business establishments that were open to Black customers; it also featured a list of “sundown towns” so that Black travelers knew which towns to avoid after dark. Using his network of postal workers working throughout the country as sources, Green continued to update and expand his guide, which became a marker for the opportunities beginning to open up for the Black American community. “Carry your Green Book with you … you may need it,” he advised on the guide’s cover.
The documentary is a travelogue that embarks on a journey through present-day America, using the Green Book as its guide. The film’s travels start in Harlem, where Victor Green lived and worked, then traces its path across Philadelphia, Chicago, and Detroit, and revisits the routes Black travelers took using the Green Book, enjoying the free, peaceful passage away from the horrors of segregation. While the book expanded its scope to include businesses in Mexico and Canada, signaling the opening up of the world for the Black traveler, studying the glaring gaps within its scope sheds light on American states like North Dakota that completely shut out Black people.
Car ownership for the Black community was a seminal achievement, as it allowed the community to travel anywhere in the country, and even beyond. The introduction of the Green Book helped them to do so in peace. The guide listed salons, clothing stores, nightclubs, and bars. The focus was not just to keep Black people from dying, but also to allow them to thrive and enjoy life. “This book really allows us to embrace the genius of us, the grace of us … It is actually the American story,” the film notes.
In the recent Oscar-winning film Green Book, where a Black musician Dr. Donald W. Shirley (Mahershala Ali) is driven through the segregated South by the Italian Tony “Lip” Vallelonga (Viggo Mortensen), the eponymous book makes an appearance only twice, in the hands of the White driver. While the film, in spite of its title, concentrates on the transformation of a racist, White man into a better, more tolerant human being, that was not the aim of Victor Green’s guide. Green hoped to empower Black families to travel safely on their own, without White assistance.
Although the Green Book started out as being a list of businesses, its connections to the civil rights movement were extremely strong. Most of the businesses listed in the guide were hubs for Black activism. By the 1960s, the Green Book had started compiling the rights of Black people in each state.
One out of the 11 businesses in Birmingham, Alabama that appeared on the Book was the A.G. Gaston Motel. “It was the finest Black hotel in the country,” Gaston’s niece, the author and journalist Carol Jenkins notes. It was in the courtyard of this motel where, on May 10, 1963, Dr. Martin Luther King, Jr held the press conference announcing the desegregation agreement with the city’s white business leaders and officials.
The Green Book, therefore, was not just a guide but a directory of institutions that were the birthing grounds of the civil rights movements; institutions that need resurrection, not just in terms of re-building but also in the public memory. The book is literally a document, an evidence of a parallel economic and racial activism that doesn’t often get acknowledged by mainstream narratives of history.
The Smithsonian documentary, while taking us on the Green Book journey, reminds us of the radicality of small businesses, often owned by Black women, that changed the landscape of American entrepreneurship. It reminds us that Victor Green’s guidebook was not just a traveling necessity but also a tool for justice and race equity in America.
The film brings us stories of resistance and revolution from Black America, thereby filling up the huge gaping holes that exist in Hollywood narratives of Victor Green’s radical travel guide.
The Green Book: Guide to Freedom, directed by Yoruba Richen, aired on the Smithsonian Channel on February 26. It airs again on March 2 and 3.
Your list of must-see, fun, insightful, and very New York art events this month, including Lee Lozano, Cindy Sherman, Tokuko Ushioda, Anas Albraehe, and more.
The art establishment was never quite sure what to do with a self-taught artist like Basquiat, who owed as much to bebop and William S. Burroughs’s cut-up technique as he did to African influences.
International audiences have free access to the media collections of MMCA Korea, Sharjah Art Foundation, and ArkDes through this subscription-based art streaming platform.
Kadish’s fossil-like heads, forms, and figures remind us that every civilization, including our own, eventually collapses.
In every role she held, Vendryes advocated for marginalized people and celebrated the cultural contributions of the Black and queer communities.
Convened by Erika Sprey, Lamin Fofana, Sky Hopinka, Emmy Catedral, and Manuela Moscoso, the public program unfolds this summer at CARA in New York City.
Stanton, who died of AIDS complications in 1984, left behind an engaging body of work, a moving tribute to a bygone generation of creative minds.
Baz Luhrmann’s film Elvis and Danny Boyle’s miniseries Pistol are both overly fixated on the influence their respective musicians’ managers had on them.
The Bay Area art book fair is back this July with free programming at three different on-site venues, new exhibitors, and fundraising editions from renowned artists.
In the wake of the Roe v. Wade decision, arts workers and reproductive rights organizations are collaborating on educational resources for accessing safe procedures.
The couple launched the Futureverse Foundation, a grantmaking organization that aims to “help keep the metaverse widely accessible.”
The museum’s “pay-what-you-wish” policy will remain in place for New York State residents and tri-state students, but out-of-state adults will pay $5 extra.