Week in Review is a weekly collection of news, developments, and stirrings in the art world. Subscribe to receive these posts as a weekly newsletter.
For almost 50 years, the International Council of Museums (ICOM) has defined the museum as “a nonprofit institution” that “acquires, conserves, researches, communicates, and exhibits the tangible and intangible heritage of humanity and its environment for the purposes of education, study, and enjoyment.” But an updated version of the definition would incorporate mention of “human dignity and social justice,” references which have split the consortium’s 40,000 professionals representing 20,000 museums across ideological lines. And last week, 24 national branches of the council — including those of France, Italy, Spain, Germany, Canada, and Russia — requested a postponement of the revision’s official vote in order to deliver a “new proposal.” | Hyperallergic
Last month, Subhash Kapoor was charged with 86 felony counts for allegedly looting $145 million in antiquities over the last 50 years. The resulting inquiry into the dealer’s alleged smuggling operation triggered a cascade of collector and museum inquiries into their acquisitions from the detained dealer. | Hyperallergic
Earlier this week, New Yorkers noticed something different about the landmarked Pepsi-Cola sign along the East River. For the first time in its 80-year history, the iconic illuminated logo has been temporarily amended. JetBlue has added its logo to promote its recently-announced partnership where the airline will only serve PepsiCo drinks. | Hyperallergic
For almost a year, scholars have accused Monumental Women’s Statue Fund (the nonprofit funding the sculpture) of whitewashing history by spotlighting the suffragists Elizabeth Cady Stanton and Susan B. Anthony without paying equal tribute to the many women of color who contributed to the movement. Last week, the group said that the statue would now include Sojourner Truth, an abolitionist and women’s rights activist best-known for her rousing “Ain’t I a Woman?” speech first delivered at the 1851 Women’s Convention in Akron, Ohio. But not everyone agrees with the Statue Fund’s angle on history. More than 20 leading academics have signed onto a letter asking that the public art process involving the monument become more transparent and inclusive. | Hyperallergic
Over 120 art world professionals have signed a letter calling for the Rene and Veronica di Rosa Foundation in Napa, California to cease its plan to sell off its collection of 1,600 works. They say the sale “would lead to an irretrievable loss to the international art community.” Arists Mark di Suvero, Peter Saul, and Nancy Hoffman are among its signatories. | ARTnews
More than 500 people rushed the streets of Mexico City last week, calling on government officials to create stronger laws against sexual assault after two teenagers accused policemen of raping them. Protests launched in the wake of these allegations have been dubbed “glitter protests” after activists dumped pink glitter on the Mexican capital’s police chief earlier in the week. Demonstrators have since claimed that city officials have failed to properly investigate the rape accusations. On Friday night, activists expressed their anguish by vandalizing Mexico City’s “Angel of Independence” monument with graffiti. | Hyperallergic
Governor Andrew Cuomo has announced five possible replacements for the current New York license plate. He’s asking the public to cast their vote through September 2 online. | Hyperallergic
Following statewide outcry, in an emergency special session of the Alaska state legislature, representatives restored full funding to the state’s arts agency in a new budget deal with Governor Dunleavy, who did not exercise his veto power to eliminate it again. If the veto had held, Alaska would have become the first state without an arts agency. | Hyperallergic
Former British Council employee Aras Amiri has been sentenced to 10 years in a Tehran prison for “cultural infiltration by the British intelligence services in Iranian internal affairs” after losing her appeal. She was detained in March 2018 during a visit with her grandmother and is serving her sentence in Tehran. The council is opposing any allegations of espionage and says, “We remain extremely concerned for Aras’s safety and wellbeing and continue to refute the accusation levied against her. | TAN
After three years of conflict, the Art Gallery of Ontario (AGO) has acquired “Iris Bleus, Jardin du Petit Gennevilliers” (1892) by Gustave Caillebotte. Though the exact amount has not been revealed, it went for over $1 million. In an earlier sale in 2016, the work was sold to a British art dealer at a Toronto auction for $678,500, but was blocked from leaving the country. The AGO is receiving a $540,000 grant from the Canadian government to aid the purchase.
This and other notable sales and acquisitions are chronicled in our latest Transactions story.
AIR Gallery is hosting an open call for its sixth biannual CURRENTS exhibition, curated by Carmen Hermo. The exhibition will be held January 10–February 9, 2020. Applications are due October 13, 2019. | AIR
Learn about other opportunities you can apply for this month in our latest “Opportunities for Artists in August 2019.”
This Week in the Art World
Ylinka Barotto and Frauke V. Josenhanswere named curators at the Moody Center for the Arts at Rice University in Houston, Texas. | Artforum
Nora Burnett Abrams was appointed director of the Museum of Contemporary Art Denver. | via email announcement
Elaine Cameron-Weir, Sam McKinniss, and Issy Wood are now represented by JTT Gallery. | Instagram
John Connelly was appointed director of the Santa Barbara City College Art Gallery. | via email announcement
Maximilian Coreth, Sarah Wendell Sherrill, Sundaram Tagore, and Kulapat Yantrasast have joined the Isamu Noguchi Foundation and Garden Museum Board of Trustees.
Eric Golo Stone was named artistic director of the Künstlerhaus Stuttgart in Germany. | via email announcement
The Hemingway African Gallery has relocated to 88 Leonard Street in Tribeca, Manhattan. | TAN
Edward P. Henry was appointed board chair of United States Artists. | ARTnews
Betti-Sue Hertz was named director and chief curator of Columbia University’s Wallach Art Gallery. | via email announcement
Monica King will open an eponymous gallery in Tribeca, Monica King Contemporary. | artnet News
Udo Kittelman has stepped down as director of the National Gallery in Berlin. | artnet News
Simon Preston was tapped as senior director at Pace. | ARTnews
Victoria Ramirez was appointed executive director of the Arkansas Arts Center. | Arkansas Online
Rebecca Wei has stepped down as chairman of Christie’s Asia. | artnet News
Katreese Barnes (1963–2019), multi-instrumentalist, vocalist, composer and music producer and Emmy Award-winning musical director for Saturday Night Live | New York Times
Ernie Colón (1931–2019), comics artist | Hollywood Reporter
Barbara Crane (1928–2019), photographer | ARTnews
Peter Fonda (1940–2019), actor, director, and screenwriter | AOL
Myrna Katz Frommer (1939–2019), oral historian of Catskills and Brooklyn | NYT
Paule Marshall (1929–2019), novelist | LA Times
Jean-Pierre Mocky (1929–2019), film director | Guardian
Jack Perkins (1933–2019), reporter, commentator, war correspondent, and anchorman | Biography
Richard Williams (1933–2019), animator, voice actor, director, and writer | Washington Post
This week, arts orgs and the war for talent, importance of house museums, the 125 most borrowed books in Brooklyn, the history of listicles, and more.
Lisa Ericson renders her real-world subjects beautifully, but the situations in which we find them are uncanny, menacing, and unexpected.
The unique MFASA at the Institute of American Indian Arts offers mentorships with world-renowned Indigenous artists, flexible schedules, and access to one of the US’s cultural capitals.
Contemporary society in the United States normalizes the idea of the exhausted mother, so why wouldn’t mother nature be equally exhausted?
Tsai’s style is the opposite of boring; in demanding the viewer’s attention, he allows for incredible moments of human connection and discovery.
Over 4,000 artists have signed on to the event, with a nifty online directory listing paintings, sculptures, ceramics, and much more.
American artists were instrumental in propagating the false narrative of Thanksgiving, a deliberate erasure of violence against Indigenous peoples.
“Revolution is a daily practice — a life choice. Not a selfie at a protest,” says Onondaga artist Frank Buffalo Hyde.
Hyperallergic staff share their favorite artists, craft shops, designers, and much more.
Field of Vision’s latest free streaming offering focuses on a vulnerable population put at risk, told through the stories of those inside.