The Intermedia and Digital Art (IMDA) graduate program facilitates students’ engagement with emerging artistic practices to address conceptual and social challenges. With studios in Baltimore’s progressive art community, it provides engaged faculty; research centers, broad interdisciplinary opportunities, career development in the fine arts, independent teaching and professional exhibition venues. Graduate students are involved with community activities, street interventions, race and gender identity, generative art, bio-art, and media and installation.
IMDA graduates acquire the practice and commitment that propels an adventurous, and personal artistic practices to a new level. IMDA alumni present their work at distinguished museums, galleries, festivals, and conferences around the world and have garnered long-term support from prestigious granting sources. Many have successful gallery representation, run their own artists’ spaces, work in the production industry, and have become academic leaders at some of the most rigorous art academies and universities in the field.
Visiting artists give one-on-one feedback to graduate students, past lecturers include: Janine Antoni, Zoe Beloff, Paul Chan, Annica Cupetelli and Cristobal Mendoza, Paul DeMarinis, Tony Dove, Hasan Elahi, eteam, Karen Finley, Guellermo Gomez-Pena, Barbara Hammer, Dana Hoey, Nina Katchadourian, Larry Miller, Alison Knowles, @rtMark, Guerrilla Girls, Keith Piper, William Pope.L, Michael Rakowitz, David Rokeby, Paul Rucker, Frances Torres, Mark Tribe, Ted Victoria, Matmos, Fred Wilson, Martha Wilson, Krzysztof Wodiczko, Karen Yasinsky, and The Yes Men.
The small New York art fair celebrated its 26th edition with the works of 11 women artists.
The artist couple shared creativity and mutual devotion reflecting a period of light and joy that came after considerable darkness in their early lives.
Conversations with Leslie Barlow, Mary Griep, Alexa Horochowski, Joe Sinness, Melvin R. Smith, and Tetsuya Yamada will be accessible online or in person at the Minneapolis College of Art and Design.
The plot of Maureen Fazendeiro and Miguel Gomes’s film moves backward in time, continually recontextualizing what at first looks like a simple situation.
It’s art fair season and we’re here to comfort and entertain you during this difficult time of the year with a new, biting edition of our Bingo card series.
Now on view in Pasadena, this exhibition explores how four artists challenged the limitations of gestural abstraction by exploiting the resonance of figural forms.
Jeremy Webster of Leicester University’s Attenborough Arts Centre reportedly pelted the statue from behind a fence.
The artifacts are estimated to date from 400 to 300 BCE, when Greek settlements existed along the northern shores of the Black Sea near Odesa.
Northwestern’s Block Museum of Art Presents A Site of Struggle: American Art against Anti-Black Violence
This new exhibition in Evanston, Illinois considers how art has been used to protest, process, mourn, and memorialize anti-Black violence for more than a century.
Snapchat CEO Evan Spiegel and model Miranda Kerr paid off the student loans of 285 recent graduates.
Cammie Tipton-Amini’s opinion piece “When Ukraine Was Newly Independent and Everything Was Possible” employs simplistic whataboutism that dangerously echoes Putin’s lies.
Anthony Banua-Simon’s documentary Cane Fire contrasts decades of Hollywood images of his home with its current reality.