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The Intermedia and Digital Art (IMDA) graduate program facilitates students’ engagement with emerging artistic practices to address conceptual and social challenges. With studios in Baltimore’s progressive art community, it provides engaged faculty; research centers, broad interdisciplinary opportunities, career development in the fine arts, independent teaching and professional exhibition venues. Graduate students are involved with community activities, street interventions, race and gender identity, generative art, bio-art, and media and installation.
IMDA graduates acquire the practice and commitment that propels an adventurous, and personal artistic practices to a new level. IMDA alumni present their work at distinguished museums, galleries, festivals, and conferences around the world and have garnered long-term support from prestigious granting sources. Many have successful gallery representation, run their own artists’ spaces, work in the production industry, and have become academic leaders at some of the most rigorous art academies and universities in the field.
Visiting artists give one-on-one feedback to graduate students, past lecturers include: Janine Antoni, Zoe Beloff, Paul Chan, Annica Cupetelli and Cristobal Mendoza, Paul DeMarinis, Tony Dove, Hasan Elahi, eteam, Karen Finley, Guellermo Gomez-Pena, Barbara Hammer, Dana Hoey, Nina Katchadourian, Larry Miller, Alison Knowles, @rtMark, Guerrilla Girls, Keith Piper, William Pope.L, Michael Rakowitz, David Rokeby, Paul Rucker, Frances Torres, Mark Tribe, Ted Victoria, Matmos, Fred Wilson, Martha Wilson, Krzysztof Wodiczko, Karen Yasinsky, and The Yes Men.
Every utopia is a social experiment, the artist suggests in this commission for the Performa performance art biennial, and we’re ultimately the guinea pigs.
“You can’t live in a house that’s built upon your back.” This is one of the more memorable phrases spoken by the scripted lovers of Tschabalala Self’s Sounding Board, what Performa describes in its promotional materials as an “experimental play.” That phrase, uttered by one romantic partner to the other, operates as guidance, warning, dictate,…
Two K-12 art teachers will each receive a $1,000 cash gift and an additional $500 to put toward classroom art supplies. Nominations are due October 31.
A commitment to trans subjects, and their queer communities, is manifested as a holding environment made approachable by our concern, grounded in intimacy and legacy, enfolding any viewer who will stop, listen, and receive love.
Todd Chandler’s documentary Bulletproof looks at the many people monetizing the societal rot of school shootings.
In Philadelphia, a series of solo shows delves into the interdisciplinary practices of graduates whose work explores identity, familial bonds, political constructs, and nature’s fragility.
On November 14, join Columbia University School of the Arts for virtual information sessions with the program chair, faculty, and staff.
The artists released the risograph-printed booklet series Organizing Power to assist in the arduous process of assembling a bargaining unit and negotiating.
From 1963 through 1968, Warhol produced nearly 650 films, including hundreds of Screen Tests and dozens of full-length movies.
Melvin Edwards, Maren Hassinger, and Alison Saar are among the artists kicking off the Destination Crenshaw initiative.