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The Metropolitan Museum of Art in New York City has announced the indefinite closure of its three locations — the Met Fifth Avenue, Met Breuer, and the Met Cloisters — starting Friday, March 13 in order to contain COVID-19. Soon after, the Brooklyn Museum, Bronx Museum, and New Museum announced their temporary closures. Hyperallergic is closely monitoring global closures and delays related to the virus in a roundup, updated several times a day.
Celebrated author and Seattle native Ijeoma Oluo has launched a relief fund to help her city’s art community in the face of COVID-19. Since going live on Monday, Seattle Artists Relief has raised more than $74,000 of its stated $100,000 goal.
After this year’s LA Art Book Fair was canceled due to the coronavirus, Ohio-based curatorial assistant Jordan Spencer started a collaborative Google spreadsheet for exhibitors to share what they planned to show this year, along with detailed descriptions, prices, and links to purchase.
In the midst of protests and strikes for women’s rights worldwide, members of Colectiva SJF met in Mexico City’s central plaza, el Zócalo, to paint the names of victims of femicide in Mexico from the past four years. Over 200 other women joined them in painting about 250 names, which were scrubbed around 24 hours later.
The New York Foundation for the Arts (NYFA) and the Robert Rauschenberg Foundation are launching a new medical emergency aid program for artists. The one-time Rauschenberg Emergency Grants will provide visual and media artists and choreographers with up to $5,000 to cover a number of unforeseen medical expenses.
Hilma af Klint has arrived in New York’s Hudson Valley. From botanical sketches to art inspired by af Klint’s spiritual practice, lesser-known works by the beloved Swedish artist are now on view at the Lightforms Art Center.
Shell, the global oil and gas multinational, has announced plans to end its relationship with the London-based art complex Southbank Centre and the British Film Institute (BFI). The move comes in the wake of mounting pressure for cultural institutions to divest from oil sponsorship in the midst of the climate crisis.
A proposal this week to relocate the Children’s Museum of Manhattan (CMOM) to an Upper West Side Beaux-Arts church is facing fierce opposition from the local community. Preservationists and community members called the proposed changes to the church “cultural vandalism.”
A Vietnamese artist was asked not to participate in this year’s London edition of the Affordable Art Fair because “Asians are seen as carriers” of the coronavirus. New York dealer Raquelle Azran told artist An Nguyen that their presence “would unfortunately create hesitation on the part of the audience.”
A unique 2,000-year old painted leopard sarcophagus has been unearthed in Egypt. Archeologists are now reconstructing the pieces of the sarcophagus, found in a necropolis more than 15 feet below ground on the western bank of the Nile River.
At Phillips New York’s New Now Auction, records were set for nine artists, including Leonardo Drew, Yoan Capote, and Noah Davis, whose oil painting “In Search of Gallerius Maximumianus” (2009) sold for $400,000, five times its high estimate. This and other notable sales and acquisitions are chronicled in our latest Transactions story.
This Week in the Art World
Emma Talbot has been announced as the winner of the 8th Max Mara Art Prize for Women. | via email announcement
Marian Goodman Gallery now represents Tavares Strachan. | via email announcement
The New Museum in New York’s board of trustees has four new members: Patricia Blanchet, Füsun Eczacıbaşı, Tommie L. Pegues, and Jamie Singer. | via email announcement
Luhring Augustine now represents Richard Rezac. | via email announcement
NYC Mayor Bill de Blasio has appointed Gonzalo Casals as commissioner of the Department of Cultural Affairs (DCLA). | via email announcement
Artadia has announced Beatriz Cortez, Amir H. Fallah, and Suné Woods as its LA-based artists award winners. | via email announcement
The NYC Mayor’s Office of Media and Entertainment (MOME) has awarded $2 million were to 94 recipients of the NYC Women’s Fund for Media, Music and Theatre. | NYFA
Lori Starr, executive director of the Contemporary Jewish Museum (CJM) in San Francisco, will step down. | Artforum
The Mississippi Museum of Art has appointed Ryan N. Dennis as chief curator and artistic director of its Center for Art & Public Exchange (CAPE) and Holly R. Harrison as deputy director for art and programs. | via email announcement
Steven Nelson has been appointed dean of the National Gallery of Art’s Center for Advanced Study in the Visual Arts (CASVA). | via email announcement
The Aspen Art Museum in Colorado has named Nicola Lees its new director. | Artforum
Jamey Gambrell (1954-2020), award-winning translator of Russian literature | NYT
J. Seward Johnson Jr. (1930-2020), artist of hyperrealistic sculptures | NYT
Nelson Leirner (1932–2020), Brazilian conceptual artist | ArtReview
Laurie Morgan (1926-2020), British jazz musician | The Guardian
Barbara Neely (1941-2020), activist and mystery novelist | NYT
Peregrine Pollen (1931-2020), New York auctioneer | NYT
Alan Turner (1943–2020), artist | Artforum
Max von Sydow (1929-2020), actor and The Exorcist star | NYT
“Black infants in America are now more than twice as likely to die as white infants—11.3 per 1,000 black babies, compared with 4.9 per 1,000 white babies, according to the most recent government data—a racial disparity that is actually wider than in 1850, 15 years before the end of slavery, when most black women were…
In 1850, when Dr. Robert W. Gibbes commissioned J. T. Zealy to make daguerreotypes of persons held in slavery in and around Columbia, South Carolina, for Harvard Professor Louis Agassiz to use in support of his theory that African people were a separate species, daguerreotypes were at the height of fashion.
Works by Rodolfo Abularach, Mario Bencomo, Denise Carvalho, Pérez Celis, Entes, and Agustín Fernández are on view at the NYC gallery through January 7, 2022.
he ownership of images has a long and nuanced legal history, which has evolved dramatically in recent years as cultural standards and photographic technologies have rapidly advanced
Renty and his daughter Delia. Renty was an enslaved African, kidnapped from the Congo, sold and forced into slave labor on the South Carolina plantation of B.F. Taylor
“Ecosystem X,” an art-based reimagining of life on planet Earth, is the theme of this open call. 10 artists will win $5,000 and one student will receive $5,000 as a scholarship/stipend.
The show, which honors the 50th anniversary of an exhibition history once ignored, continues a series of projects documenting Wilmington’s contemporary art scene.
As a scholar of African American history and photography whose work has focused on the status of violent images in museums and archives, I fully support the validity of Ms. Tamara Lanier’s claim and the amicus brief.
The daguerreotypes of Renty Taylor, Delia, Drana, Alfred, Jack, George Fassena, and Jem remained in an unused storage cabinet until 1975, when it was discovered by an employee of the Peabody Museum.
I am writing in support of the amicus curiae brief submitted by Professor Ariella Aïsha Azoulay of Brown University for the full restitution of the daguerreotypes of Renty Taylor and his daughter Delia, currently held by Harvard University, to their familial descendant, Tamara Lanier.