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In his current position as art critic at the Los Angeles Times, Christopher Knight has been speaking truth to power for almost four decades. He charted the contemporary art waters in a city that has since become one of the world’s art hubs before most people ever noticed. He doesn’t shy away from controversy, as his recent columns about the Los Angeles County Museum of Art’s renovations suggest. This year he was awarded two special honors: the Rabkin Lifetime Achievement Award for Art Journalism and the Pulitzer Prize for Criticism.
In this episode, he shares stories about his years in LA, his work as a newspaper art critic, and even a very curious letter he received from actor Charleton Heston about artist Andrew Wyeth.
Archeologists can now prove the Vikings made landfall in the Americas hundreds of years before Columbus reached the Bahamas.
This week, the National Gallery of Art finally acquired a major work by Faith Ringgold, the director of The Velvet Underground talks film, North America’s Hindu Nationalist problem, canceling legacy admissions, and more.
No Vacancy, curated by Jody Graf, will be on view from October 26 through November 8 at the school’s Kellen Gallery in New York City.
Sculptures of Oaxacan alebrijes, envisioned as guardians of the nation’s immigrant community, and catrinas, Day of the Dead skeletons, are now at Rockefeller Center.
“I am trying to keep the immediacy of my emotional experience while I’m painting.”
Art by Athena LaTocha, Wendy Red Star, Marianne Nicolson, Anita Fields, Jaune Quick-to-See Smith & Neal Ambrose-Smith, and more is on view through January 2022.
The intention behind the seemingly bizarre combination was, according to Attie, “to give visual form to the shared American and Brazilian reality of nationalistic divisions that defines our political present.”
Nowhere in the museums’ advertising blitzkrieg for the performance were we told to bring our wildfire-season masks as well as our covid masks, and covid masks don’t prevent smoke inhalation.