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The Trump administration has rescinded a recent ruling that would have forced international students enrolled in online-only universities in the fall to leave the country. In the week since the controversial guidelines were announced, eight federal lawsuits were filed by universities, including Harvard and the Massachusetts Institute of Technology (MIT). Hundreds of other institutions, including independent art schools where international students make up a significant fraction of the student body, such as the Pratt Institute, joined amicus briefs in support of the legal motion.
At a hearing held today in Boston for the lawsuit brought by Harvard and MIT, US District Judge Allison Burroughs said federal immigration authorities agreed to roll back the measures and “return to the status quo,” reports the Associated Press. The government’s decision means a return to the guidelines issued in March at the onset of the coronavirus pandemic, when the Student and Exchange Visitor Program (SEVP) of the Department of Homeland Security temporarily waived restrictions on international students engaging in online coursework.
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To showcase this work exactly 500 years after Magellan’s conquest of the Philippines in a space that, 134 years ago, was a “human zoo” of Indigenous people from the Philippines, is certainly poignant.
Since 2014, Alison has been visually dissecting Monique Wittig’s novel The Lesbian Body, which theorizes the split subjectivity women experience in language, an inherently patriarchal structure.
This exhibition in Great Falls, Montana addresses the concept of intention in contemporary fiber art and its complex relationship with the history of women’s art as craft.
N.I.H., short for No Humans Involved, was an acronym used by the LAPD to refer to “young Black males who belong to the jobless category of the inner-city ghettos.”
Cha, who was murdered at 31 years old, explored the nuances of forced migration and language.
Explore new avenues in artistic practice and scholarship amongst a diverse cohort of peers while gaining leadership skills both academically and professionally.
Taping a banana wasn’t enough, so the art world had to do something even more stupid with food.
Stoner jokes, unexpected pop culture references, and an unlikely love story jangle against each other like charms on a bracelet.
In this exhibition, curated by Patrick Flores and presented by Taipei Fine Arts Museum, Paiwan artist Sakuliu reflects on interspecies co-sharing and coexistence.
The plans for Munger Hall may just be the most ruthlessly efficient way to house 4500 students.
The Mandan, Hidatsa, and Arikara (MHA) Nation says tribal leaders were not consulted regarding the relocation of the statue.
The autumn holiday of Sukkot continues to offer solace and community for new generations.