Week in Review is a weekly collection of news, developments, and stirrings in the art world. Subscribe to receive these posts as a weekly newsletter.
At a time of increased scrutiny over the actions of police forces across the country, fueled by protests of historic proportions, the New York Police Department (NYPD) has proposed new regulations that would expand the authority of officers to seize the press credentials of journalists and bar them from crossing police lines to cover news stories.
The Tenement Museum on Manhattan’s Lower East Side laid off its entire staff of part-time educators. The group of 71 workers constitutes 92% of the museum’s education staff.
A report commissioned by the NYC Department of Cultural Affairs describes a grim landscape for the city’s cultural sector amid COVID-19. It reported over 15,000 workers have been laid off or furloughed from 810 NYC cultural organizations, and a notable difference in impact between large and small nonprofits, among other notable findings.
New York Governor Andrew Cuomo announced that some cultural attractions, including museums, malls, and indoor dining, would still not be permitted to reopen as New York City entered Phase IV this week.
The Penn Museum of Archaeology and Anthropology at the University of Pennsylvania (UPenn) announced that it will remove from view parts of its Morton Cranial Collection, which includes skulls of enslaved people. The decision marks a victory for UPenn students and local activists, who have formed the coalition Police Free Penn (PFP) to demand school-wide reforms and the removal and repatriation, but fails to address their full list of concerns and demands.
Earlier this month, the CEO of Goya Foods publicly praised President Trump during a White House event. In the weeks since, artists have created illustrated recipes for homemade sazón, mashups of the Trump family with Francisco Goya artworks, and other noteworthy artworks.
The Marciano Art Foundation (MAF) in Los Angeles, which closed its physical space indefinitely in November 2019 and laid off all 70 of its visitor services associates after the staffers announced their intention to unionize, settled a lawsuit filed by the workers.
Hundreds of current and former staff of the Getty Museum, the Getty Trust, and the Getty Research Institute signed an open letter accusing the museum of racial insensitivity and bias.
To protest Chinese censorship around COVID-19, artist and activist Brother Nut took a vow of silence and used metal clasps, duct tape, and other props to physically seal his mouth during the entire month of June.
In an acknowledgment that the Yale Union building in Portland, Oregon sits on land belonging to several Indigenous nations, the property will be transferred to the Native Arts and Cultures Foundation.
The US House of Representatives passed a bill to remove Confederate statues from the Capitol building in Washington, DC. The bill must now get past the Republican-majority Senate and signed into law by President Trump.
Loic Gouzer, formerly Christie’s star co-chairman of postwar and contemporary art, has made several notable sales on his new app, Fair Warning. The app, which debuted in late June, is a “guerilla type of auction system” that auctions off single lots on a weekly basis. Unlike mainstream auction houses, Fair Warning relies upon a membership system that only accepts vetted collectors who won’t flip the works. So far, Gouzer has made three notable sales: a portrait by Steven Shearer which sold for $437,000, followed by a David Hammons body print that sold for $1.3 million and a painting by Steven Parrino for $977,500. Next up is a 1982 work on paper by Jean-Michel Basquiat, estimated at $8 million to $12 million. The work is on view in the garage of Gouzer’s Montauk home.
Billionaire investment banker and art collector Ronald Perelman plans to anonymously sell two paintings at Sotheby’s cross-category “Rembrandt to Richter” sale in London this month. The works heading to the auction block are Joan Miro’s “Peinture (Femme au Chapeau Rouge)” (1927), which has a high estimate of £30 million (~$38.1 million), and Henri Matisse’s “Danseuse dans un interieur, carrelage vert et noir” (1942), with a high estimate of £12 million (~$15.2 million). Perelman, who is worth $7.8 billion, is in the process of restructuring his assets. His 20th-century art collection, which includes names like Cy Twombly and Alberto Giacometti, is worth billions.
Christie’s New York is holding an online sale and a live auction of Latin American art this month. The sales span Latin American work from the 17th century to more contemporary works from the present day, with a focus on the 20th century. The two paintings leading the auctions are Wilfredo Lam’s “Femme Cheval” (1950) and Rufino Tamayo’s “Dos amantes contemplando la luna” (1950), both estimated at $2–3 million. Other notable works include a bronze Fernando Botero statue of a horse, a starkly geometric Carmen Herrera work on canvas, and a painting of ice skaters and horses by the brilliant Surrealist Leonora Carrington.
This Week in the Art World
Gavin Brown’s Enterprise is shuttering its doors and Gavin Brown will join Gladstone Gallery as a partner. | New York Times
Kader Attia’s La Colonie in Paris is closing. | Artforum
Alexis Maggiar joined Christie’s as the international director of the Department of Arts of Africa, Oceania, and the Americas. | LiveAuctioneers
Bluestockings Bookstore has left its Lower East Side space. | Instagram
The John Giorno Foundation in New York named Elizabeth Dee as Director. | Artforum
Political cartoonist Steve Bell has parted ways with The Guardian. | Art Newspaper
Alexander Gray Associates in New York is adding an exhibition space in Hudson Valley. | Via email announcement
India’s Kochi Biennale Foundation announced a list of artists in the 2020 Kochi-Muziris Biennale. | e-flux
The Laurie M. Tisch Illumination Fund in New York granted a $1.5 million endowment to Skidmore College’s Frances Young Tang Teaching Museum and Art Gallery. | Albany Business Review
Martin Parr has left his role as artistic director of Bristol Photo Festival. | Art Newspaper
The Frick Madison will open in early 2021 in the building that formerly housed the Met Breuer. | Gothamist
Brigid Berlin (1939–2020), debutante star and documentarian of Andy Warhol’s Factory | Artforum
Tony Elliott (1947–2020), British founder and owner of Time Out | Guardian
Charles Evers (1922–2020), civil rights activist and former mayor of Fayette, Mississippi | PBS
Paul Fusco (1930–2020), photographer and photojournalist | ARTnews
Zizi (Renée) Jeanmaire (1924–2020), French ballet dancer, singer, and actress | Vogue
John Lewis (1940–2020), congressperson and civil rights icon | New York Times
Andrew Mlangeni (1925–2020), South African anti-apartheid activist | New York Times
Enrico Navarra (1953–2020), art collector and gallerist | ARTnews
Keith Sonnier (1941–2020), Postminimalist artist | ARTnews
Lucio Urtubia Jiménez (1931–2020), Spanish anarchist | La Jornada
Rev. C.T. Vivian (1924–2020), minister and crusader for civil rights | NPR
Jerry Wolkoff (1936–2020), New York property developer and 5Pointz landlord | Commercial Observer
In yet another horror movie that’s actually about trauma, writer-director Alex Garland makes his points bluntly, having one actor play many facets of misogyny.
Time is itself a recycling process for Cole, whose freewheeling spirit transcends linearity in his excavations of art and music history.
Installations by Jessica Campbell, Yasmine K. Kasem, Suchitra Mattai, Haleigh Nickerson, and Nyugen E. Smith are now on view at JMKAC in Sheboygan, Wisconsin.
Drawing from a wide range of personal influences, McQueen deconstructed myths and facts and refashioned them into his desired story.
Intervención/Intersección, the latest venture from MASA Galería, is a humming subversion of what public art can look like.
The first global survey dedicated to the use of clothing as a medium of visual art features works by 35 contemporary artists, including Nick Cave, Kent Monkman, Louise Bourgeois, and Mary Sibande.
The phishers posted an “official minting link” to a fraudulent raffle from the famous NFT artist’s account.
Through jubilant performances and speeches, the city’s first-ever Blasian March connected the large but disparate communities.
Who says tragedy has to be tragic? Co-presented with National Black Theatre, this fresh, Pulitzer-winning take on a classic centers Black joy and liberation.
“I am an artist and a human being struggling to get out of this unjust prison, but every day my love of free and honest art grows firmer,” the persecuted artist said in a statement from a maximum-security prison in Cuba.
Lewis’s tattered canvases and pasted over drawings mirror a world in need of constant upkeep and repair.
Seeing the Toronto Biennial of Art through my daughter’s eyes helped me push past some of its challenges by experiencing it on a primordial level.