Week in Review is a weekly collection of news, developments, and stirrings in the art world. Subscribe to receive these posts as a weekly newsletter.
After Beirut was ravaged by an explosion of catastrophic proportions, initiatives have sprung up in the aftermath of the explosion, with the goal of raising funds for relief efforts in the city and reconstructing its devastated cultural sector.
Madalena McNeil, a 28-year-old community organizer from Salt Lake City, Utah, could spend the rest of her life in prison for the unlikely crime of allegedly buying red spray before a protest. Seven other protesters could also face lifetime sentences for different riot charges.
After losing its entire bargaining committee in layoffs and furloughs, the New Museum Union has filed a complaint with the National Labor Relation Board (NLRB) accusing the museum of unfair labor practices and of violating the National Labor Relations Act.
More than 150 employees of the Milwaukee Art Museum are organizing to join the International Association of Machinists and Aerospace Workers, which represents the museum’s security guards
Brian Eno, Peter Gabriel, Ahdaf Soueif, and Turner Prize winners Lawrence Abu Hamdam and Tai Shani are among more than 60 international musicians, artists, writers, and filmmakers who signed an open letter condemning Israel’s crackdown on three Palestinian culture centers in East Jerusalem.
In the wake of Cuban dissident Yosvany Arostegui’s death in police custody last Friday, August 7, artist and activist Tania Bruguera has summoned a virtual “chorus of voices” to acknowledge and honor the political prisoners on the island. On her Facebook page yesterday, she posted a list of 102 current prisoners and asked supporters to record themselves reading the names out loud.
— National Museum of American Jewish History (@NMAJH) August 7, 2020
The National Museum of American Jewish History’s “YO SEMITE” shirt has garnered over $30,000 in sales since the president mispronounced Yosemite.
This year’s Wikipedia Edit-a-Thon, Black Artists Matter, focused on artists of the African in the National Museum of Women in the Arts’s collection.
A large-scale portrait by Ghana-born, Vienna-based painter Amoako Boafo was acquired by the Guggenheim Museum. Titled “Joy Adenike” (2019), the oil painting depicts a Black woman who meets the viewer’s gaze, the bright red stripes of her skirt offset by a glass of red wine. The artist, who sees his paintings as celebrations of Black life, used his hallmark finger-painting technique to depict the sitter’s face. Boafo is on the rise, to say the least. In 2019 he had his first US solo show. An artist residency, major art market successes, and even a collaboration with Dior followed. Recently, Boafo’s works have appeared on the secondary market after being flipped. At Phillips London his painting “The Lemon Bathing Suit” (2019) sold for £675,000 ($875,000), smashing its high estimate of £50,000 ($64,800).
Thomas Olbricht — a chemist, entrepreneur, and one of the most significant private art collectors in Germany — will be selling around 500 works from his famous collection. The pieces will be sold in an auction titled “From a Universal Collector – The Olbricht Collection” at Cologne-based auction house Van Ham. Olbricht, who recently closed his private museum, called me Collectors Room Berlin, which he opened in 2011, collected everything from contemporary heavyweights to a cabinet of curiosities containing late Renaissance and Baroque material. Leading the sale is George Condo’s “Screaming Couple” (2005), estimated at €300,000–€500,00 (~$354,600–$591,000).
The Jordan D. Schnitzer Family Foundation in Portland purchased an archive of Judy Chicago’s prints, preparatory sketches, copper plates, wooden molds, and more. A work from every print edition that Chicago made is encompassed by the extensive archive. Highlights include prints made in connection to her iconic table installation “The Dinner Party” and a stack of prints inspired by Anais Nin’s erotic short stories and stored as a set in a heart-shaped box. Chicago has been facilitating institutional acquisitions of her print archives as of late; in May, an archive of material related to her site-specific fireworks was acquired by the Nevada Museum of Art.
This Week in the Art World
Tarek Atoui is the winner of the 2022 Suzanne Deal Booth / FLAG Art Foundation Prize. | ARTnews
Phillips will open a space in Southampton. | ARTnews
Priya Frank was named Director of Equity, Diversity, and Inclusion at the Seattle Art Museum. | Seattle Art Museum
Rome’s MAXXI museum will open a space in L’Aquila, Italy. | Art Newspaper
The Institute of Contemporary Art at the University of Pennsylvania appointed Zoë Ryan as its Director. | Philadelphia Inquirer
The Art Dealers Association of America was joined by six new galleries: Garth Greenan Gallery, Hill-Stone, James Barron Art, Mariane Ibrahim, Roberts Projects, and Tina Kim Gallery. | artdaily.com
The Institute for Contemporary Art at Virginia Commonwealth University announced plans to open a media center with VPM. | The Art Newspaper
Queenie Sukhadia was appointed the inaugural Writer in Residence for the Mellon Seminar on Public Engagement and Collaborative Research at the Graduate Center, CUNY. | via email announcement
Martin Riegler will serve as Head of PR and Marketing at the Museum der Moderne Salzburg. | artdaily.com
Brent Carver (1951–2020), Canadian actor and singer | Guardian
Ronnie Goodman (1960–2020), Californian painter | Artforum
Matt Heron (1931–2020), civil rights photographer | New York Times
Douglas Latchford (1931–2020), antiquities dealer and alleged antiquities trafficker | Art Newspaper
Trini Lopez (1937–2020), singer and guitarist | Rolling Stone
Kurt Luedtke (1939–2020), journalist and screenwriter | Variety
Sumner M. Redstone (1923–2020), media magnate | New York Times
Judit Reigl (1923–2020), Hungarian-born abstract painter | ARTnews
Bernard Stiegler (1952–2020), French critical theorist | Artforum
Curator La Tanya S. Autry shares a set of crucial questions she considers when curating images of anti-Black violence.
Crys Yin’s subject is grief, which, for all that takes place in public, is largely a private matter.
The first lecture is on the relationship between early portrait photography and diverse notions of US identity during the Gilded Age. Register to attend on January 25.
With her clay relief sculptures, Brie Ruais probes the exit wound and its deep psychological implications.
In Doomscrolling, Rob Swainston and Zorawar Sidhu assume the task Walter Benjamin set for the articulation of history — to “seize hold of the past as it flashes up at a moment of danger.”
Part of the university’s Artists on the Future series pairing renowned artists with cultural thought leaders, this online event is free and open to the public.
When we honor King publicly, as many in the art circle did on Monday, we use these moments to do more than just remember and pay tribute.
A study that reexamined Homo sapiens fossils found our species is 30,000 years older than previously believed.
As much as I appreciate the collective’s culture jamming initiatives, I don’t know that their putative premise ever bears meaningful fruit.
The banana’s dominance and ubiquity has had serious and far-reaching implications for the region, engendering exploitative labor systems, climate change, and migration.
Charles Dellheim’s study tells the tale of a small group of Jewish art dealers and collectors who played a key role in the changing art world of the 19th and 20th centuries.