Support Hyperallergic’s independent arts journalism.
Last week, Purdue Pharma pleaded guilty to federal criminal charges and reached an $8.3 billion settlement with the Department of Justice for its role in the opioid epidemic. The news has pushed some institutions that have received funding from the Sackler family, like New York University (NYU) and the Metropolitan Museum of Art, to reconsider the presence of the donors’ surname on their walls, wings, and schools.
But a more recent development in the Purdue case could put added pressure on cultural entities to wipe the family’s surname definitively. Last night, the House Committee on Oversight and Reform released documents establishing a direct link between members of the Sackler family and Purdue’s over-marketing of its highly addictive prescription drug, OxyContin. Obtained by the committee as part of its investigation into Purdue Pharma, the trove shows that members of the family “recklessly pushed Purdue executives to flood the market with OxyContin to maximize their personal wealth,” according to an official statement.
The newly released documents may present a challenge for some defenders of the Sackler name, who argue that the family has been unfairly associated with, and tainted by, the Purdue company’s actions.
For P.A.I.N., the activist group led by artist Nan Goldin, “this proves once and for all that there is no distinction between the Sackler family and their corporate skin, Purdue Pharma.”
“Interoffice documents paint a dark picture of profit for the family at the expense of human life,” P.A.I.N. told Hyperallergic. “According to their emails, the Sacklers were the driving force behind incentives boosting the sales of higher and higher doses of their powerful narcotic, Oxycontin.”
Since 2018, the group has organized multiple protests and campaigns to raise awareness of what it views as the artwashing of the opioid epidemic via the Sacklers’ philanthropic activity. Though the Sackler family has withdrawn more than $10 billion from Purdue since 2008, last week’s settlement did not include any criminal charges against individual family members.
“We are disappointed that DOJ forfeited yet another opportunity to hold members of the Sackler family fully accountable for their role in fueling the devastating opioid epidemic,” said Rep. Carolyn B. Maloney, the Chairwoman of the Oversight and Reform Committee, and committee member Rep. Mark DeSaulnier.
Still, news of the company’s guilty plea seems to have had an effect on some institutions with Sackler-endowed programs and spaces. NYU’s Langone Medical Center, for instance, announced that it would drop the Sackler name from its Graduate Biomedical Institute.
A few days ago, the President of Harvard University, where an art museum is named after Arthur M. Sackler, created a Committee to Articulate Principles on Renaming to help address questions of renaming campus spaces, programs, and professorships.
However, a representative for Harvard said that the school does not intend to drop the Sackler name.
“Dr. Sackler died in 1987, before OxyContin was developed and marketed. Given these circumstances and legal and contractual considerations, Harvard does not have plans to remove Dr. Sackler’s name from the museum,” he told Hyperallergic. “The Arthur M. Sackler Foundation does not fund the Arthur M. Sackler Museum at Harvard.”
Meanwhile, the Metropolitan Museum of Art, which stopped accepting Sackler gifts last year but has long held it would not rename its Sackler Wing, is now rekindling the conversation. The wing opened in 1978 with funds provided by brothers Arthur, Raymond, and Mortimer Sackler. “In light of the most serious issues involved in the recent guilty plea of Purdue Pharma, and the ongoing public health devastation of the opioid epidemic, over the next weeks we will be considering how to handle the presentation of the Sackler name within the Museum,” a Met spokesperson told Hyperallergic.
On its end, P.A.I.N. has committed to continuing to advocate for the widespread removal of the controversial surname. The group frequently cites a line from the American Alliance of Museums’s Code of Ethics: “Museums and those responsible for them must do more than avoid legal liability, they must take affirmative steps to maintain their integrity so as to warrant public confidence. They must act not only legally but also ethically.”
“For all museums and universities with a Sackler wing, the pressure is on,” urged P.A.I.N. in a statement to Hyperallergic. “Remain true to your ethical mandate and your responsibility to the public and take down their names NOW!”
The autumn holiday of Sukkot continues to offer solace and community for new generations.
Equity should be discussed in the form of European and American institutions partnering with the Benin government to create sustainable museums.
This exhibition in Great Falls, Montana addresses the concept of intention in contemporary fiber art and its complex relationship with the history of women’s art as craft.
Yamasaki’s most well-known projects — the twin towers and the Pruit-Igoe housing project — were both destroyed on national television.
An exquisitely illustrated and enlightening new book reveals the screen’s unique role in Japanese history and culture from its origins to the 20th century.
Explore new avenues in artistic practice and scholarship amongst a diverse cohort of peers while gaining leadership skills both academically and professionally.
Find the perfect gifts for friends and family.
There is nothing extraordinary about Murphy’s subjects and yet there is something inexplicably disturbing about her paintings and drawings.
In this exhibition, curated by Patrick Flores and presented by Taipei Fine Arts Museum, Paiwan artist Sakuliu reflects on interspecies co-sharing and coexistence.
Participatory photography aims to counter the pitfalls of photography as an exploitative or voyeuristic medium.
This week, a Frank Stella is installed as a public artwork in NYC, the women behind some iconic buildings, looting Cambodia, fighting anti-boycott laws, and more.
An Original Copy of US Constitution Sells for $43.2 Million, Becoming Most Expensive Document Ever Sold
MoMA board member Ken Griffin went well over asking for the document, beating out cryptocurrency enthusiasts who crowdfunded to purchase it.