At Bard Graduate Center, we study the cultural history of the material world. Our scope is global and ranges from distant antiquity to the present. For more than 25 years, our interdisciplinary, object-based approach to learning has been training future curators, researchers, educators, and museum and arts professionals to ask new questions about our shared history. Founded in 1993 on the idea that decoration is a human universal that can be found in all times and at all places, BGC’s initial focus on the history of design and decorative arts has expanded to include the crucial perspectives of anthropologists, archaeologists, cultural historians, and conservators. Today, Bard Graduate Center is the leading American graduate institute for interdisciplinary, object-centered inquiry into material culture.
We welcome you to visit us! This fall we will offer two virtual open houses, which will give you the chance to meet our faculty and students.
To reserve your spot for the November 17 and December 10 virtual open houses, visit bgc.bard.edu/events.
If you can’t make one of the virtual open houses or if you have any other questions, please email firstname.lastname@example.org for more information. We’re here to help.
Applications for Fall 2021 admission to the MA & PhD program are due Monday, January 4, 2021. For further information and application details, visit bgc.bard.edu/admissions.
Black American Portraits features over two centuries of artworks centering Black artists and subjects.
A love of Black art and history was the bedrock of the friendship between Dell Marie Hamilton and Susan Denker, who had markedly different racial, economic, and generational subject positions.
With what he says is his final museum bow, Fitzpatrick shines a light on the colorful diversity that composes his city.
The question of race — however hidden, however camouflaged by the shouts of the crowds — is a constant theme and an unanswered challenge.
Weisman Museum of Art Presents Highlights From the Kinsey African American Art and History Collection
An exhibition at Pepperdine University in Malibu chronicles the achievements and contributions of African Americans over the last five centuries.
Brink is not a fun book, and it shouldn’t be.
Those who want to visit the museum muse have a surgical, KN95, N95, or KF94 face mask.
The residency program awards 17 visual artists a year of rent-free studio space in New York City. Applications are due by February 15.
This week, another Benin bronze is returned to Nigeria, looking at the Black Arts Movement in the US South, Senegal’s vibrant new architecture, why films are more gray, and much more.
It is precisely Moon’s openness to using any source that makes her work flamboyant, captivating, odd, funny, smart, uncanny, comically monstrous, and unsettling. And, most of all, over the top.
Tensions between resistance to Surrealism as cultural imperialism and the embrace of it as a universalist vision of freedom unfettered run through the show.