At Bard Graduate Center, we study the cultural history of the material world. Our scope is global and ranges from distant antiquity to the present. For more than 25 years, our interdisciplinary, object-based approach to learning has been training future curators, researchers, educators, and museum and arts professionals to ask new questions about our shared history. Founded in 1993 on the idea that decoration is a human universal that can be found in all times and at all places, BGC’s initial focus on the history of design and decorative arts has expanded to include the crucial perspectives of anthropologists, archaeologists, cultural historians, and conservators. Today, Bard Graduate Center is the leading American graduate institute for interdisciplinary, object-centered inquiry into material culture.
We welcome you to visit us! This fall we will offer two virtual open houses, which will give you the chance to meet our faculty and students.
To reserve your spot for the November 17 and December 10 virtual open houses, visit bgc.bard.edu/events.
If you can’t make one of the virtual open houses or if you have any other questions, please email firstname.lastname@example.org for more information. We’re here to help.
Applications for Fall 2021 admission to the MA & PhD program are due Monday, January 4, 2021. For further information and application details, visit bgc.bard.edu/admissions.
The University of Virginia researchers wrote that the data “provides compelling evidence that these symbols are associated with hate.”
We are waiting for spectacle and when the quotidian, yet incongruous actions occur I wonder whether there is any real payoff coming.
Hear from Holly Jean Buck, Carolina Caycedo and David de Rozas, Simon Denny, Elizabeth Hoover, Renee Kemp-Rotan, Joseph Kunkel, and more at this free public event.
Tanega’s approach to mark-making comes across as stream of consciousness, as if she’s engaged in a conversation with herself.
Starting Monday, readers can borrow one of 50 rare and out-of-print titles, mailed to them completely free of charge, from Saint Heron Library.
EFA Open Studios offers a portal into the creative habitats of over 65 artists working in Manhattan’s longest-running studio program, including Dannielle Tegeder, Wafaa Bilal, Cui Fei, and Anina Major.
This is Yuskavage’s great gift, turning upside down our settled ways of thinking and seeing and, with ease, transforming the vulgar and ridiculous into the sublime.
51 international publishers and galleries showcase their latest editions in prints and artists’ books at this free public fair, which is fully online this year.
While hardly about the pandemic, or any of the other crises so afflicting us, all are invoked in this exhibition, which is also often tender and profoundly soulful.
These glowing, dynamic artworks reproduce something of Bosch’s chaotic energy, but on an immersive, multi-sensory scale.
This week, addressing a transphobic comedy special on Netflix, the story behind KKK hoods, cultural identity fraud, an anti-Semitic take on modern art, and more.