As everyone knows by now — and as we tried to document extensively here — Hurricane Sandy wreaked a fair amount of havoc on the art world. Streets and galleries flooded in Chelsea, art spaces downtown and in Queens lost power, artists living or working in Red Hook, Gowanus, and other hard-hit areas saw their work destroyed. Much of the city is facing a long, uphill recovery process, and much of the art world is no exception.
To aid in that process, the Art Dealers Association of America (ADAA) has launched a relief fund, to help both member and nonmember galleries located in Zone A that have been severely affected by the storm. The organization announced the first round of grants on Friday, benefiting Wallspace, Bortolami Gallery, Derek Eller Gallery, and Printed Matter.
“It was a huge effort,” ADAA Executive Director Linda Blumberg told Hyperallergic when asked about the process of setting up, coordinating, and distributing a grant program so quickly. She went on to explain the week-long turnaround that the organization pulled off:
By Thursday I had toured Chelsea, and some people were down there already, and we recognized that the devastation was pretty intense — that the need was really immediate, because as the damage stayed in the galleries, it made everything worse with mildew and toxicity. So we understood very quickly that immediate action was necessary. Over weekend we contacted our lawyer, had a meeting of the executive committee. It was decided that we would use our own endowment funds to begin this process, and that’s what we did. By Tuesday we were organizing the application form, we got it approved, and our executive committee was 100 percent behind us. We set up a meeting with lawyers and folks from the insurance company, and we handed out the first grants on Friday.
Blumberg declined to say how much ailing galleries and spaces are receiving, but she did say describe the grants as “significant amounts of money to make a difference initially.” She also stressed the generosity of other dealers, who offered money unsolicited after hearing about the creation of the relief fund. The press release announcement mentions a $50,000 contribution from David Zwirner, whose own galleries sustained flood damage as well.
The ADAA is accepting ongoing applications, which Blumberg mentioned have been increasing in volume as word about the fund spreads. Qualifying criteria include “catastrophic damage that prohibits gallery business, drastically impaired cash flow, and demonstrated risk of a business’s permanent closure,” according to the press release. The organization is hoping to get another round of grants out by the end of this week, and they’ll continue on from there.