Bye 2020. You’ve been a whole lot. For this final month of a wild year, we’ve pulled together a list of shows and film series that provides both ample distraction and some opportunities for reflection. Scroll below for our top 10, the majority of which are available online or by appointment.
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When: through December 23
Where: Denny Dimin (appointments available) (39 Lispenard Street, TriBeCa, Manhattan)
For her first solo exhibition in New York, Soleimani presents a series of photocollages focused on the increasingly timely issue of the strained nature of US-Iran relations. Myriad crises-within-the-crisis manifest in her layered compositions, yielding intriguing, if occasionally unsettling visual treatises that reflect on power and corruption.
When: through January 10, 2021
Where: Interstate (appointments available) (66 Knickerbocker Ave, Bushwick, Brooklyn)
In this meditation on environmental waste and degradation, Alex Ito charts a dystopian vision of our present and near-future. Steel sculptures and elements of science-fiction blend with Americana ephemera, evincing a vision that’s at once surreal and starkly familiar.
When: through January 02, 2021
Where: Fort Gansevoort (online)
The latest in Fort Gansevoort’s series of online exhibitions — many of which have focused on under-celebrated artists working in 2D media — Memories of Puerto Rico celebrates the everyday intimacies and vibrancy of the island. For his first solo show with the gallery, painter Nick Quijano presents a series of brightly hued gouaches that nod to the rich history of Caribbean vernacular art.
When: through January 23, 2021
Where: Malin Gallery (515 W 29th Street, Chelsea, Manhattan)
For his third exhibition with Malin, Krimes presents a vibrant selection of quilt-based works which reflect on notions of home. Formerly incarcerated, the Philadelphia-based artist often makes work that critiques the dehumanization of individuals maligned by the state. For visitors not yet ready to see art inside, check out his large-scale “Rikers Quilt” which will be displayed on specific days on the gallery’s exterior and visible from the High Line. (Another massive work by Krimes can also be seen in PS1’s ongoing exhibition, Marking Time.)
Sareh Imani: Center is not a particular point on the earth’s surface + Rachelle Dang: Couroupita/Corpus
When: through December 20
Where: AIR Gallery (by appointment only) (155 Plymouth Street, DUMBO, Brooklyn)
Projected on stacks of moving boxes, Sareh Imani’s movingly mundane recent video invites the viewer to slow down and reflect on what makes a space home. Shot using a single, stationary camera, the multi-channel work layers footage of the artist packing, unpacking, and rearranging her domestic space while in quarantine — a process that ultimately culminated in her leaving the city. Nearby, Rachelle Dang’s exquisite sculptures reflect on colonial conquest and the fraught nature of anthropological research, all in luminous shades of blue.
Working Together: the Photographers of the Kamoinge Workshop
When: through March 28, 2021
Where: Whitney Museum of American Art (advance tickets required) (99 Gansevoort Street, Meatpacking, Manhattan)
Spotlighting 14 members of the celebrated Black photography collective Kamoinge (a Kikuyu word for “a group of people acting together”), Working Together highlights the importance of self-representation. Founded in 1963, the images produced by these distinct luminaries chronicle times of significant social upheaval and reflect nuanced perspectives on communities long mischaracterized by news media.
When: through January 1, 2021
Where: Online via Film at Lincoln Center
Five weeks of films by the cinematic giant who brought us gems like In the Mood for Love, Chungking Express, and Happy Together — need I say more? In a partnership with distributor Janus Films, Film at Lincoln Center’s full retrospective features several new restorations of Wong’s most celebrated films, as well as an opportunity to catch some of his lesser-known but equally important works.
When: November 21, 2020–March 21, 2021
Where: Online and in-person at the Museum of Modern Art (advanced timed tickets required) (11 West 53rd Street, Midtown, Manhattan)
Building off of her celebrated film America (2019), Bradley’s solo exhibition likewise aims to fill in the gaps of Black film history by focusing on the stories of individuals lost to time and institutional neglect. Twelve short black-and-white films, shot by Bradley and scored by artist Trevor Mathison and composer Udit Duseja, center figures like the African American composer and singer Harry T. Burleigh and Bahamian-American performer and actor Bert Williams, whose once-lost-and-now-restored film Lime Kiln Club Field Day (1913) remains a progressive example of how cinema could have treated Black stories (but didn’t) in its early days.
When: opens December 3
Where: Online via 8th Floor
Originally conceived as a physical exhibition, support structures looks at our foundations. Bringing together the work of eight artists whose practices consider the presence (and absence) of structures that undergird our society — be they physical, emotional, architectural, or social — support structures hones in on issues of sustainability and interdependence.
When: December 4, 2020–January 3, 2021
Where: Online via Brooklyn Academy of Music
A cinematic tour of the city, New York Lives offers a welcome revisiting of a landscape that’s felt so close yet so far away amid these many months of quarantine. Featuring celebrated works like Los Sures (1984) and Dark Days (2000), alongside recent gems like Through the Night and In Sudden Darkness, New York Lives highlights local talent and offers a refresher on the many quirks and complications of this city we call home.
Although Khedoori does not depict living beings, their presence is evoked in the traces they leave behind.
The Bronx Museum’s fifth biennial continues to focus its programming on individual identity, eliding the ever-divergent interests of the art market and local communities.
The first lecture is on the relationship between early portrait photography and diverse notions of US identity during the Gilded Age. Register to attend on January 25.
While it may be strange to think of food insecurity as a basis for art, the works in Food Justice reveal barriers and injustices in food access.
Shiv would definitely have a Chihuly chandelier.
Part of the university’s Artists on the Future series pairing renowned artists with cultural thought leaders, this online event is free and open to the public.
“[The art market] provides an opportunity for people to move money in a way that they can’t with other commodities,” says FBI Special Agent Chris McKeogh.
Black American Portraits features over two centuries of artworks centering Black artists and subjects.
A love of Black art and history was the bedrock of the friendship between Dell Marie Hamilton and Susan Denker, who had markedly different racial, economic, and generational subject positions.
With what he says is his final museum bow, Fitzpatrick shines a light on the colorful diversity that composes his city.
The question of race — however hidden, however camouflaged by the shouts of the crowds — is a constant theme and an unanswered challenge.