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The Germans are not much for Surrealism, apparently. A painting by the French surrealist artist Yves Tanguy, reportedly worth over €250,000 (~$340,000) was trashed by a cleaning crew at Düsseldorf Airport after being left behind by a traveler. It was recovered by German police last week, found at the bottom of a recycling bin.
The owner, a businessman in transit to Tel Aviv, forgot the painting at a check-in counter at the airport in November. Upon landing in Israel, he contacted German authorities, who were unable to locate the 16-by-24 inch, cardboard-wrapped work. Its whereabouts remained unknown until the man’s nephew traveled to Düsseldorf and reported the work missing at a local police precinct, where it was investigated and eventually recovered by inspector Michael Dietz.
Dietz contacted the airport’s cleaning company and, along with the airport’s property manager, led a thorough search of recycling containers.
“Sure enough, the valuable painting was right at the bottom,” said Düsseldorf Police in a statement reported by AP.
The works in Fault Lines prove that abstraction need not be confined to the inner life of the artist.
Celeste’s sculptures all rely on natural forces to achieve balance, and thus are perpetually on the precipice of collapse.
Romanticism to Ruin: Two Lost Works of Sullivan and Wright memorializes Chicago’s Garrick Theatre and Buffalo’s Larkin Building, which were razed to build a parking lot and a truck stop.
By reinventing the traditional bokashi technique, Hamanaka reminds us that nothing is dead, even when many proclaim otherwise.
The company’s mastery of the art market’s smoke and mirrors is its most impressive illusion.
Sadly, though by no means surprisingly, there is precedence for this female erasure. Women have been and continue to be the executors of the invisible, unpaid, unaccredited labor that makes much of the world run smoothly.