Many films by Wong Kar-wai, a pivotal figure of the Hong Kong New Wave, recently received new (and somewhat controversial) restorations ahead of the release of a gargantuan box set by Criterion. Last year, Film at Lincoln Center had planned to host World of Wong Kar Wai, a career retrospective of Wongâs films which would show off these restorations. But the event was waylaid by the COVID-19 quarantine, eventually taking place in the winter as a virtual program. Now, with theaters reopening, FLC is finally able to screen these classics in person.
I canât add much that hasnât already been said already about Wongâs films, especially since we ran this excellent piece on them by Ryan Swen in tandem with their virtual presentation. Few directors are better at capturing romantic yearning, building intriguingly complex interpersonal entanglements, and mixing both stately and invigoratingly energetic modes of filmmaking. If youâre game for seeing something in a theater again, thereâs no better choice to see while sitting comfortably with someone special.
Where: Film at Lincoln Center (70 Lincoln Center Plaza, Manhattan) When: Through May 27
In this special edition, we investigate what artistsâ signatures actually mean, and the fascinating results reveal the multifaceted history of this curious phenomenon.
Written by Erika Dickerson-Despenza and directed by Candis C. Jones, this lyrical meditation on legacy, erotic fugitivity, and self-determination is on view in NYC.
Tibetan Buddhist and Christian works of art made across 12 centuries explore death, the afterlife, and the desire to continue to exist. On view in NYC.
The beams in Detroitâs Scarab Club act as a guest book of sorts, carrying a wealth of stories and history, including signatures by Diego Rivera, Marcel Duchamp, Margaret Bourke-White, Isamu Noguchi, and others.
Ayanna Dozier, Ilana Harris-Babou, Meena Hasan, Lucia Hierro, Catherine Opie, Chuck Ramirez, and Pacifico Silano explore the myths of the American Dream at Brooklynâs BRIC House.
The signatures of Rosa Bonheur, Mary Cassatt, and six other historical women artists are engraved on a small stretch of sidewalk on Manhattanâs Upper East Side.
The two-part exhibition features the work of 41 graduating artists across disciplines, including painting, sculpture, printmaking, and integrated practices.
Dan Schindel is a freelance writer and copy editor living in Brooklyn, and a former associate editor at Hyperallergic. His portfolio and links are here.
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