Summer’s finally here, and with it, a well of not-to-miss shows and events, including some you can enjoy outside in the sunshine or from your couch with the AC blasting — choices abound. Particular highlights include Guadalupe Maravilla’s stately commissions for Socrates Sculpture Park and Ming Smith’s glimmering photographs.
Whatever you decide, stay safe and don’t forget your mask.
—Dessane Lopez Cassell
When: through September 11
Where: Cheim & Read (547 West 25th Street, Chelsea, Manhattan)
For years, Matthew Wong made an ink illustration every morning: nature scenes, dreamscapes, abstractions. Footprints in the Wind presents 24 achromatic ink drawings on rice paper by the self-taught Toronto-born artist, including some of his earliest works in the medium. Wong, who died by suicide at the age of 35 in 2019, pays homage to the legacy of Chinese landscape painting in a starkly moving style that is uniquely his own.
When: through August 21
Where: Artists Space (11 Cortlandt Alley, Tribeca, Manhattan)
For its most extensive exhibition to-date, New Red Order, the rotating “public secret society,” presents a range of interventions, video works, and installations that peel back and poke fun at the old colonial desire to “play Indian.” At times mimicking corporate marketing, the NRO employs biting satire and re-appropriation to push for real solidarity with Indigenous people and advance Indigenous futures.
When: extended through June 26
Where: Jeffrey Deitch (76 Grand Street, Soho, Manhattan)
It’s Not Polite To Stare, an exhibition of painting and sculpture by Dominique Fung, critiques the Orientalist fetishization and ornamentalization of women’s bodies and Asian cultural objects. Hanging artisanal bird cages, which the Ottawa-born, Brooklyn-based artist purchased from estate sales, house ceramic forms; the ornate cages and their unexpected inhabitants reappear as motifs in Fung’s surreal paintings.
When: through September 6
Where: Socrates Sculpture Park (32-01 Vernon Blvd, Queens)
Titled after an intergenerational “Grandparent Planet” instead of “Mother Earth,” Guadalupe Maravilla’s solo show explores ancestral and Indigenous healing practices, themes linked to the artist’s own experience of colon cancer as well as his migration from El Salvador to the US as a child. The new commissions, all of which have collaborative or communal elements, include a billboard-sized retablo; a ground drawing inspired by the children’s game “Tripa Chuca” (“rotting guts”); and totemic assemblages from his Disease Thrower series, which will be used in sound baths.
When: through August 7
Where: The Institute for Studies on Latin American Art (ISLAA) (50 East 78th Street, Upper East Side, Manhattan)
Rounding off a series of exhibitions devoted to Latin American conceptual and mail art, ISLAA’s latest show presents Felipe Ehrenberg’s “Testamento” (1968-2017), an assemblage incorporating work from nearly five decades of artmaking, completed the year that he died. The 34 collages that comprise “Testamento” integrate a range of photographs, writing, drawing, and ephemera, forming a condensed survey of the pioneering Mexican conceptualist’s work.
When: through July 3
Where: online & Nicola Vassell Gallery (138 10th Ave, Chelsea, Manhattan)
Nicola Vassell Gallery’s inaugural show highlights five decades of vintage silver gelatin and archival prints by Harlem-based photographer Ming Smith. Smith was the first woman member of the Kamoinge Workshop, an influential Black photography collective founded in New York City in 1963. Her intuitive and frequently experimental images include landscapes, street and domestic scenes, and portraits of important cultural figures such as Sun Ra and Grace Jones.
When: through August 1
Where: The Shed (545 West 30th Street, Hudson Yards, Manhattan)
27 early-career New York City artists are spotlighted in an exhibition and performance series held for the second edition of The Shed’s open call commissioning program. The wide-ranging offerings include Kenneth Tam’s video and sculptural installation about fraternities’ ritualized violence; Pauline Shaw’s tapestry that references MRI scans to engage with diasporic experience; and Ana María Agüero Jahannes’s performance on reimagining track and field to celebrate Black queer and trans people.
When: June 23–29
Where: online at Brooklyn Academy of Music
Every year since 2009, BAMcinemaFest has treated New Yorkers to a slate of the most compelling films making the rounds on the festival circuit. After a 2020 hiatus, the festival returns with a robust lineup, including a spotlight on artist Fox Maxy’s work, the world premiere of Ougie Pak’s Clytaemnestra, three not-to-miss shorts programs, and the Sundance highlight I Was a Simple Man. An extra perk this year: for the first time, audiences will be able to stream the entire lineup at any point during the festival’s weeklong run.
When: through September 12
Where: The Jewish Museum (1109 5th Ave, Upper East Side, Manhattan)
Couching Louise Bourgeois’ oeuvre in psychoanalytic theory, Freud’s Daughter pairs about 40 works spanning the artist’s career with her rarely seen psychoanalytic writings, including records of her own experience in analysis, dream recordings, and process notes. Notable works on view include “The Destruction of the Father” (1974) — a tableau referencing the artist’s childhood fantasies of killing and eating her father — and “Passage Dangereux” (1997), a “Cell” installation about childhood rites of passage that incorporates animal bones, suspended chairs, and mirrors.
When: extended through June 27
Where: Gordon Robichaux (41 Union Square West, #925 and #907, Manhattan)
Pleasures and Possible Celebrations is Gordon Robichaux’s first exhibition dedicated to Rosemary Mayer, a trailblazing Post-Minimalist and founding member of the feminist cooperative AIR Gallery. The show centers Mayer’s “Temporary Monuments,” which employed fugitive materials like balloons or snow and served as a rejoinder to patriarchal notions of monumentalization. A site-responsive “17th Street Ghost” sculpture conceived for this exhibition by Mayer’s estate — the artist passed away in 2014 — is among the works on display.
Editor’s note: a previous version of this list misspelled the surname of Open Call artist María Agüero Jahannes. It Jahannes, not Jahanne. We regret the error.
Our favorite US shows of 2021, brought to you by the writers and editors of Hyperallergic.
Naito’s Op-inspired abstractions might have been an oblique way of dealing with feelings of displacement after moving to the United States.
BIENALSUR, the International Biennial of Contemporary Art of the South, has returned to Saudi Arabia for an exhibition presenting more than 20 international artists, including Filwa Nazer, Rafael Lozano-Hemmer, and Tony Oursler.
Braque’s paintings speak of self-containment, of a quietly impassioned, ongoing dedication to the task at hand.
In Amber Robles-Gordon’s artwork, the borders between states matter less than the overlapping territories of self, the never-ending negotiation of identity.
Schulte seems at once focused and restless, determined and open.
The archive kicks off an initiative by the Met Museum and the Studio Museum to conserve and digitize his works, and research the context of his photographs, his singular photographic techniques, and his life.
On view in Abu Dhabi until February 5, 2022, the paintings and sculptures in Modernisms shed new light on artists like Parviz Tanavoli, Fahrelnissa Zeid, and M.F. Husain.
In 1996, Nez Perce Tribe members had to fundraise hundreds of thousands of dollars to pay the Ohio History Connection to secure artifacts that were rightfully theirs.
Andrew McCarthy used a modified telescope to take over 150,000 images of the sun, combining them to create the stunningly crisp photo.
The city brought shows to life that will be talked about for years to come.