Citing John Cage’s 1965 response to the question, “What is drawing?”, A Question of Emphasis: Louise Fishman Drawing is the first career-spanning exhibition and publication of works on paper by Louise Fishman (1939–2021). On view through February 2022 at Krannert Art Museum (KAM) at the University of Illinois at Urbana-Champaign, the show features collage, oil and wax, thread, charcoal, printmaking, watercolor, and tempera in Japanese-bound leporello (accordion) books. This range of mediums foregrounds the artist’s robust and dedicated practice of works on paper, which were never studies for large canvases. Instead, she used drawing to think through physicality, materials, and intimacy on a register that was often sculptural and tactile, and aligned with her communities.
A Question of Emphasis examines the relationship between an artist’s biography and drawing through feminist and queer perspectives. Fishman’s drawings are distinctive because many are dedicated to lovers — an illustrious network of lesbian writers, scholars, and critics that include Bertha Harris, Esther Newton, Jill Johnston, and Ingrid Nyeboe, Fishman’s spouse. Fishman’s works on paper also honor her artist teachers: Paul Cézanne, Piet Mondrian, Franz Kline, John Cage, Eva Hesse, and Agnes Martin. Some works are collaborative, including prints Fishman made using her mother’s collagraphic plates, and the Angry Women acrylic text series made for friends and muses during her involvement with feminist consciousness-raising in the 1970s.
This project follows Fishman’s lead, through drawing, to convene a community of living and historical figures that are integral to the construction of self. While centered on the artist’s hand, Fishman’s works on paper are in fact radically open and give audiences a strong perspective of art as a worldmaking project.
A Question of Emphasis: Louise Fishman Drawing is organized by Amy L. Powell, Curator of Modern and Contemporary Art at KAM and supported by the Henry Luce Foundation American Art Program; the Rosann Gelvin Noel Fund; the College of Fine and Applied Arts, University of Illinois Urbana-Champaign; Vielmetter Los Angeles; Sueyun Locks, the Locks Foundation; Karma, New York; and the Sandra L. Batzli Memorial Fund.
Tabitha Arnold’s rugs pay tribute to organizers who lay their bodies on the line in the workplace, in the public square, and in the depths of private prisons.
The intentionality of Booker’s abstraction gives me the impetus to discuss something about the current zeitgeist that’s been on my mind for a while.
The Morgan Library & Museum Presents Another Tradition: Drawings by Black Artists from the American South
This exhibition celebrates the Morgan’s recent acquisition of drawings by Thornton Dial, Nellie Mae Rowe, Henry Speller, Luster Willis, and Purvis Young.
After years in the making, New Time opens at the Berkeley Art Museum and Pacific Film Archive.
The museum details the process of moviemaking, from its inception in storytelling all the way to its marketing. But interwoven into these exhibits are ugly truths.
Part of the John Michael Kohler Arts Center in Sheboygan, Wisconsin, the Art Preserve also functions as a curated collection facility and is filled with immersive installations.
The former panels, removed in 2017, featured images dedicated to Confederate Generals Stonewall Jackson and Robert E. Lee.