Noah Fischer's work highlights intersections between economic and social inequity and art institutions. His sculpture, drawing, performance, writing, and organizing practice fluctuate between object making... More by Noah Fischer
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This month: Henry Taylor, Barkley L. Hendricks, Carlos Villa and Leo Valledor, Cecilia Paredes, and more.
The National Museum of the American Indian will screen three films directed by the Six Nations Kanyen’kehá:ka (Mohawk) artist this Saturday, October 7.
ACC provides artists, arts professionals, and scholars with support for research and cultural exchange between Asia, the US, and within Asia. Applications open November 1–30.
A script of Mean Girls: The Musical, the Broadway show based on the hit film, is expected to fetch up to $12K.
The 39 artists and collectives in the sixth edition of the Hammer Museum’s show call LA home but make visible legacies of migration that have built and shaped the city.
The exhibition features works by 20th-century modern artists who transformed Connecticut into a center of innovation in the arts. On view at the Bruce Museum in Greenwich, CT.
Recur, backed by billionaire art collector Steve Cohen, shuttered less than three years since its founding despite partnerships with popular brands like Hello Kitty.
Once Carlos Villa and Leo Valledor recognized that they could never fully assimilate into mainstream America, they set out on their own paths.
Join the New-York Historical Society for a virtual discussion on how museums and community leaders can collaborate with Ryan N. Dennis, Peggy Fogelman, and Betsy Bradley.
Lewis Anthony Rath sold thousands of dollars worth of art while claiming to be a member of the San Carlos Apache Tribe.
STAR CHOIR presents opera singers, an orchestra, and a story set in a galactic tomorrow that hold various skin tones and earthly ethnicities.
Beautifully and thoughtfully done; thank you.
I hope you won’t mind my mentioning an ongoing exhibition of prints at the Metropolitan College of New York that presents both a review of some of the accomplishments of the “working groups” that arose in the Occupy camps and a series of photos of the OWS-NY camp. Affinity groups like the Alternative Banking Group, Occupy Sandy, the Debt Collective, and Occupy the SEC had a major impact for the better in ways that continued long after the camps were evicted; some of their stories, briefly overviewed in the exhibition, are both inspiring and possibly instructive. The exhibition is on view through the end of the year on MCNY’s two campuses, one blocks from Zuccotti Park and the other in the Bronx; details at https://www.mcny.edu/blog/2021/09/06/mcny-galleries-occupy-wall-street/?fbclid=IwAR3aImCTurXuZibcAv33Gwqs1i30MDdTk7j4-BZhjZtHu5HTRtNPw_-asNc .