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From fashion design to athletics, the appropriation of Native American cultural symbols is pervasive throughout the US. According to #PeopleNotMascots, a digital resource bringing attention to the detrimental misappropriation of Indigenous-inspired symbols in the US educational system, one in 26 secondary schools nationwide brandish a Native American mascot; in North Dakota, the number climbs to one in 15.
Recognizing Indigenous Peoples’ Day, Diné Tiktoker and crochet artist Lily (@sheshortnbrown) spread the word about the resource for identifying and protesting these mascots in your area. The website allows site visitors to search mascots appropriating Indigenous symbols in their state, also offering a template letter addressed to state legislators “to demand that they eliminate Native mascots within your state.”
For decades, Indigenous activists have lambasted the common trend of schools, sports teams, and other organizations appropriating Native American symbols as mascots. The usage of Native mascots is a pervasive issue. Debates around the appropriation of these images have been most visible in the realm of athletics, with several sports teams in recent years conceding to decades of protests and agreeing to change their names, including the Cleveland Indians.
Currently, just Washington, Maine, and Colorado have banned the use of Native mascots. The letter encourages lawmakers to follow in the footsteps of these states, stating: “Historically, Natives have not been treated as human beings. This has been seen through the atrocities such as residential schools, the Long Walk, the Trail of Tears, and mass genocide through colonization, and now Native mascots.”
According to the letter, “Native children that are overly exposed to racist stereotypes are more likely to have lower self-esteem, distance themselves from their culture, have a lower belief in personal achievement, and worsen mood.”
“Native people are not caricatures,” the letter beseeches. “Native people are not a monolith, they are diverse in customs and values. […] By bringing forth a bill alongside the aforementioned states, tax-payer’s funds will no longer be used to propagate harmful and dehumanizing depictions of Indigenous people — a vital step in reckoning with our nation’s past.”
Art by Athena LaTocha, Wendy Red Star, Marianne Nicolson, Anita Fields, Jaune Quick-to-See Smith & Neal Ambrose-Smith, and more is on view through January 2022.
Unless you were already familiar with Bey’s documentary work, the horror he refers to might not be recognizable to you.
The intention behind the seemingly bizarre combination was, according to Attie, “to give visual form to the shared American and Brazilian reality of nationalistic divisions that defines our political present.”
Nowhere in the museums’ advertising blitzkrieg for the performance were we told to bring our wildfire-season masks as well as our covid masks, and covid masks don’t prevent smoke inhalation.
View work by over 40 experimental artists and collectives from throughout the Americas who contributed to New York’s art scene during the 1960s and ’70s.
Several members of the 2021 cohort identify as artists and storytellers, utilizing the power that art and narrative have on changing ideas of power.
Made possible by a donation from Amazon stakeholder MacKenzie Scott, the award is the single largest in the Bedstuy-based organization’s history.
A donation of two hundred works includes Jean-Michel Basquiat, Robert Mapplethorpe, Keith Haring, and Donald Baechler.