Leaves aren’t the only thing hitting the pavement this November. Get your art fair fix with the Art Show and the Other Art Fair; take in Lex Brown’s razor-sharp humor and technocapitalist critique at Deli Gallery; and head to the Whitney Museum to learn about the women artists who were fundamental to the development of American abstraction. There are options for virtual viewing, too, from NFTs by Addie Wagenknecht to an Afro-Surrealist online game by Dennis Osadebe.
When: November 4–7
Where: Brooklyn Expo Center (72 Noble Street, Greenpoint, Brooklyn)
130 independent and emerging artists are displaying work at the Other Art Fair, an event hosted by Saatchi Art that originated in the UK in 2011 and has since expanded to the US, Canada, and Australia. The modestly scaled fair’s eighth edition, which runs concurrently with the ADAA Art Show, offers work by primarily New York-based artists at relatively affordable price points (starting at $100) as well as hand-poked tattoos.
When: November 4–7
Where: online & Park Avenue Armory (643 Park Avenue, Lenox Hill, Manhattan)
This year’s edition of the long-running art fair will take place virtually and in person with 72 galleries presenting solo, thematic, or group exhibitions. Works on view range from abstract paintings by artist and fisherman Forrest Bess, to tapestries by fourth-generation Navajo weaver Melissa S. Cody, to photographs made by East Village artist Tseng Kwong Chi in collaboration with Keith Haring and Bill T. Jones. Proceeds from ticket sales will benefit New York nonprofit Henry Street Settlement.
When: through November 13
Where: online & bitforms gallery (131 Allen Street, Lower East Side, Manhattan)
every day the same again is the third exhibition at bitforms dedicated to the work of American-born, Austria-based new media artist Addie Wagenknecht, who founded the cyberfeminist collective Deep Lab. “American Flag 1–3” (all 2021) comprises intravenous bags of red and blue ink that drip onto three pedestals to form abstracted national flags, referencing Jasper Johns’s famous painting “Three Flags” (1958). There is also a virtual component of fragmented NFT flags.
When: through November 13
Where: Deli Gallery (36 White Street, Tribeca, Manhattan)
Lex Brown incisively uses humor, fantasy, and science fiction to get at some of the complexities and contradictions of late capitalism and techno-utopianism. In Defense Mechanisms, the artist and writer (she authored the 2015 erotic sci-fi novella Wet Hot Drone Summer) presents drawings, prints, sculpture, and video revolving around a fictional corporation called Omnesia, a portmanteau of the words “omniscience” and “amnesia.”
When: November 20, 2021–January 2, 2022
Where: Smack Mellon (92 Plymouth Street, Dumbo, Brooklyn)
Drawing upon the State Archives of Florida, the Wolfson Archives at Miami Dade College, and local newspaper records, Rowan Renee engages with documents related to the Lavender Scare — the persecution of homosexuality under McCarthyism — in their native South Florida. In this close look at a small slice of pre-Stonewall homophobia, painful histories are remade into weaving, sculpture, and an 86-page accordion book, using craft as a mode of processing.
When: through December 18
Where: Judd Foundation (101 Spring Street, Soho, Manhattan)
“It’s a forever morning where your lover is sick in pretty blue pajamas,” writes Eileen Myles of Cuban-American artist Félix González-Torres’s “‘Untitled’ (Loverboy)” (1989), an installation of lengths of sheer blue fabric clinging to the windows in inbetweenness. The spare solo show, which also features a billboard by the artist, is being held at the historic home and studio of fellow minimalist Donald Judd and marks 25 years since González-Torres died of AIDS-related complications.
When: through December 24
Where: C24 Gallery (560 West 24th Street, Chelsea, Manhattan)
Since 2012, Czech-born, New York-based photographer Marie Tomanova has been documenting New York City’s vibrant youth culture, and earning herself a cult following in the process. The artist’s intimate, unvarnished portraits of fresh-faced New Yorkers cavorting and connecting are on view in her first exhibition with C24 Gallery and in a new monograph out from Hatje Cantz, New York New York.
When: through December 5
Where: Tiger Strikes Asteroid (1329 Willoughby Avenue #2A, Bushwick, Brooklyn)
Working across photography, textile art, and sound installation, Hernease Davis presents suspended cyanotypes on fabric (canvas, linen, silk, felted wool, and crochet are all involved) along with audio recordings of her voice to envelop viewers in a nurturing and restorative space. And when you come back… will also feature a performance piece, live-streamed from Tiger Strikes Asteroid on November 21.
When: through February 13
Where: online & Museum of Contemporary African Diasporan Arts (80 Hanson Place, Fort Greene, Brooklyn)
New and recent work by Lagos-based multidisciplinary artist Dennis Osadebe is on view in an in-person exhibition, a virtual exhibition, and an interactive online game titled “Playful Rebellion.” Bringing together disparate imagery while referencing legacies of Afro-Surrealism, Osadebe’s brightly colored, flattened scenes feature characters donning traditional Nigerian masks and astronaut helmets alike.
When: through March 2022
Where: Whitney Museum of American Art (99 Gansevoort Street, Meatpacking, Manhattan)
This exhibition of over 30 works on paper made from the 1930s into the 1950s highlights the invaluable contributions of women artists to American abstraction, particularly in the domains of printmaking and network-building. Canonical names like Lee Krasner and Elaine de Kooning — both of whom dealt with the large shadows cast by famous artist husbands — are interspersed with relatively lesser known figures including Charmion von Wiegand, Dorr Bothwell, Alice Trumbull Mason, and June Wayne.
The small New York art fair celebrated its 26th edition with the works of 11 women artists.
The artist couple shared creativity and mutual devotion reflecting a period of light and joy that came after considerable darkness in their early lives.
Curated by Clare Dolan, this solo exhibition in Frenchtown, NJ contains new and unearthed paintings, sculptures, and prints selected from the organization’s 60-year history.
The plot of Maureen Fazendeiro and Miguel Gomes’s film moves backward in time, continually recontextualizing what at first looks like a simple situation.
It’s art fair season and we’re here to comfort and entertain you during this difficult time of the year with a new, biting edition of our Bingo card series.
Conversations with Leslie Barlow, Mary Griep, Alexa Horochowski, Joe Sinness, Melvin R. Smith, and Tetsuya Yamada will be accessible online or in person at the Minneapolis College of Art and Design.
Jeremy Webster of Leicester University’s Attenborough Arts Centre reportedly pelted the statue from behind a fence.
The artifacts are estimated to date from 400 to 300 BCE, when Greek settlements existed along the northern shores of the Black Sea near Odesa.
Now on view in Pasadena, this exhibition explores how four artists challenged the limitations of gestural abstraction by exploiting the resonance of figural forms.
Snapchat CEO Evan Spiegel and model Miranda Kerr paid off the student loans of 285 recent graduates.
Cammie Tipton-Amini’s opinion piece “When Ukraine Was Newly Independent and Everything Was Possible” employs simplistic whataboutism that dangerously echoes Putin’s lies.
Anthony Banua-Simon’s documentary Cane Fire contrasts decades of Hollywood images of his home with its current reality.