Our December LA art guide caters to holiday lovers and haters alike, from a cheeky “sexy Xmas” show to a bazaar featuring creative zines. Also, if you haven’t seen the Obama Portraits in person, they’re worth it, especially since the Los Angeles County Museum of Art has mounted a dazzling show on Black American portraits to go alongside them.
When: through December 18
Where: Vielmetter Los Angeles (1700 S Santa Fe Ave #101, Downtown, Los Angeles)
Don’t miss out on this Los Angeles-based artist’s curious and sensitive work. The exhibition is curated by one of Dingle’s characters, Pudgey Pomona, a reference librarian who appears in a blue floral shirt against a lemon yellow background in a portrait at the entrance. The 1962 lime green jaguar parked outside the gallery is also Miss Pomona’s, we are told. Inside, you’ll find a delicate marble collection, a cookie cutter in the shape of Cagliari, Italy, a world atlas of animals, and so much more.
When: through December 11 (chehayeb); through December 18 (Valdez)
Where: Ochi Projects (3301 & 3305 W Washington Blvd., Mid-City, Los Angeles)
These two solo shows at Ochi Projects present young painters who explore themes of landscape and site. In My Own Private Arcadia, Oakland-based artist Anna Valdez’s vibrant canvases play with pattern, color, and representation, torn between landscape, still life, and dream-like fantasia. b chehayeb’s paintings are more abstract, but bear evocative traces of formative years spent in West Texas as referenced in the show’s title horses in my chanclas: a dusty, muted color scheme, ranche life, Spanglish words.
When: through December 18
Where: Residency Art Gallery (310 East Queen Street, Inglewood, California)
The LA-based 3B Collective is a group of artists hailing from indigenous and immigrant backgrounds who collaborate with institutions and other artists to create murals and public artworks. For Highways & Byways, the group looks at the links between urban renewal, large infrastructure projects, and gentrification, specifically as they affect BIPOC communities. Through mixed-media assemblages, painting, and photography, their works draw a link between earlier periods of colonialism and disenfranchisement, and the reshaping of LA by developers and civic leaders taking place today.
When: through December 24
Where: the Lodge (1024 N Western Ave, East Hollywood, Los Angeles)
Have yourself a Sexy Little Xmas! Now a tradition, the Lodge stages its fifth iteration of salacious, Christmas-timed art that is not always “kid appropriate.” Works include Edward Cushenberry’s flirty paintings, Johnny Smith’s suggestive photos of clothing, and even an Ed Ruscha silkscreen of … cockroaches. More sexy art, please (Christmas or no Christmas).
When: through January 8, 2022
Where: Holocaust Museum LA (100 the Grove Drive, Fairfax, Los Angeles)
Violins of Hope is a collection of violins all owned by Jews before and during WWII. Some were kept hidden and smuggled to safety by their owners, others survived even when their owners perished. Restored by Violin-makers Amnon and Avshalom Weinstein, the collection is a testament to hope and survival, and a reminder of a vibrant culture that was largely decimated. Violins of Hope at the Holocaust Museum LA includes 13 of the 60 violins in the collection, and will be accompanied by concerts featuring the original instruments.
When: through January 8, 2022
Where: LA Louver (45 N Venice Boulevard, Venice)
Celebrated artist Alison Saar curates a show at LA Louver on “spirit portraiture,” a genre close to her own heart and practice. Featuring sculptures, tapestries, paintings, and photographs, the contemporary artists behind these works (including Vanessa German, Rina Banerjee, and several others) are also “believers, agitators, healers, and mediums.” They help us to see the unseen.
When: through January 9, 2022
Where: Grand Central Art Center (125 N Broadway, Santa Ana, California)
With a style reminiscent of 19th-century naturalist illustrations, Yaron Michael Hakim depicts South American macaws and parrots in their lush jungle environs. Look closer and these hybrid creatures feature human eyes, noses, and mouths that peek out from behind brightly colored plumage. Born in Colombia, Hakim was adopted and raised in a Jewish family, growing up in Australia, Europe, and the US. Painted on Dacron sails — referencing his peripatetic journey — his exquisite paintings capture his fragmented and layered identity with pathos and curiosity. Ocarinas modeled on the artist’s nose question physical stereotypes, interjecting a note of humor into his reflections on selfhood.
When: through December 23
Where: Tierra Del Sol Gallery (945 Chung King Road, Chinatown, Los Angeles)
Zines are an inexpensive and democratic way for artists and writers to share their work with the public. Tierra del Sol Gallery presents their first ever zine show, Zines del Sol, which features artists working with the Tierra del Sol Foundation, founded in 1971 to offer creative support to individuals with disabilities. The show takes a broad definition of zine, including printed materials, textiles, dolls, ceramics, and more. Events include a poetry reading on Saturday, December 4, and a zine workshop and holiday bazaar on Saturday, December 11.
When: through February 5, 2022
Where: 18th Street Arts Center (Airport Campus) (3026 Airport Ave, Santa Monica)
Translated as “Let’s Get to Work,” Manos a la Obra continues Cog•nate Collective’s exploration of transborder economic systems and how they function on the local level. The show features work made in collaboration with participants in their Market Exchange program, an initiative that envisions a community marketplace as a site of empowerment for vendors and artisans. A Pop Up Artisan Marketplace will be held at the gallery on January 29.
When: through April 17, 2022
Where: Los Angeles County Museum of Art (LACMA) (5905 Wilshire Boulevard, Miracle Mile, Los Angeles)
The portraits of Barack and Michelle Obama by Kehinde Wiley and Amy Sherald respectively are milestones in both art and civic culture: the first official portraits of an African-American president and their spouse by African-American artists. To accompany their presentation in the touring Obama Portraits (on view through January 2), LACMA has mounted the exhibition Black American Portraits, which brings together 150 works created over the past two centuries depicting Black subjects. Largely created by Black artists, these images show the importance of reclaiming one’s own representation, countering dominant visual narratives of Black bodies centered on fetishization, otherness, or absence. Artists include Charles Gaines, Lezley Saar, Kerry James Marshall, Njideka Akunyili Crosby, Carrie May Weems, and many others.
The small New York art fair celebrated its 26th edition with the works of 11 women artists.
The artist couple shared creativity and mutual devotion reflecting a period of light and joy that came after considerable darkness in their early lives.
Curated by Clare Dolan, this solo exhibition in Frenchtown, NJ contains new and unearthed paintings, sculptures, and prints selected from the organization’s 60-year history.
The plot of Maureen Fazendeiro and Miguel Gomes’s film moves backward in time, continually recontextualizing what at first looks like a simple situation.
It’s art fair season and we’re here to comfort and entertain you during this difficult time of the year with a new, biting edition of our Bingo card series.
Conversations with Leslie Barlow, Mary Griep, Alexa Horochowski, Joe Sinness, Melvin R. Smith, and Tetsuya Yamada will be accessible online or in person at the Minneapolis College of Art and Design.
Jeremy Webster of Leicester University’s Attenborough Arts Centre reportedly pelted the statue from behind a fence.
The artifacts are estimated to date from 400 to 300 BCE, when Greek settlements existed along the northern shores of the Black Sea near Odesa.
Now on view in Pasadena, this exhibition explores how four artists challenged the limitations of gestural abstraction by exploiting the resonance of figural forms.
Snapchat CEO Evan Spiegel and model Miranda Kerr paid off the student loans of 285 recent graduates.
Cammie Tipton-Amini’s opinion piece “When Ukraine Was Newly Independent and Everything Was Possible” employs simplistic whataboutism that dangerously echoes Putin’s lies.
Anthony Banua-Simon’s documentary Cane Fire contrasts decades of Hollywood images of his home with its current reality.