A record number of artists will participate in the upcoming 32nd annual Jersey City Art & Studio Tour (JCAST) with free in-person experiences for everyone to enjoy, including the return of curated bus and walking tours, interactive events, live paintings, kids activities, music and theatre performances, artist demonstrations, “hidden gem” galleries, and much more.
Starting September 29, the four-day festival will feature over 1,000 artists at more than 140 locations spanning the entire city. JCAST 2022 will also feature a live outdoor community painting project for the first time. The community mural hopes to encourage resident participation alongside more than a dozen professional artists.
Discover artists by medium (murals, photography, ceramics, etc.) through the easy-to-search artist profiles on the JCAST website. Information stations will also be easily accessible throughout the city.
JCAST will kickoff on Thursday, September 29 from 6-9pm with an outdoor activation in and around Mana Contemporary that includes live painting, music, interactive installations, galleries, and giveaways.
To view the full list of galleries, exhibitions, tours, and special events, visit thejcast.com.
Presented by Bank of America. Partners include Mana Contemporary, Goldman Sachs, the Jersey City Economic Development Corporation, GFP Real Estate, and the New Jersey Department of State, Division of Travel and Tourism. JCAST is made possible by Mayor Steven Fulop, the Jersey City Municipal Council, and the Jersey City Office of Cultural Affairs.
The school denounced the rapper’s “anti-Black, antisemitic, racist and dangerous statements.”
Online, dozens of artists have posted tribute artworks in honor of Mohsen Shekari’s life and calling for the immediate release of protesters.
This week, news outlets flock to TikTok, New York Times staff strikes, the problem with the phrase “late-term abortion,” and was the North Pole once a forest?
The 11,000-year-old wall relief discovered in Southeastern Turkey may reflect humans’ changing roles in the natural world during the Neolithic Revolution.
The Brazilian artist asked the museum to remove his work from a show about the Black experience, calling the institution a “White man’s theater.”
In an era of fast fashion and sweatshop exploitation, the artist demonstrates how far an industry will go to keep workers out of the picture.
This adventurous theater festival returns in person with 36 artists and companies from nine countries performing at different venues across the city.
Both Don Ed Hardy and Laurie Steelink refuse to adhere to traditional artistic hierarchies, an attitude they have shared throughout their 30-year friendship.
It took over 37 hours to pull 1,900 miles of glass filament to create the garment, now on view at the Toledo Museum of Art.
Learn more about the New York-based, globally linked program and its upcoming discussions on art and society in the time of AI and data governance.
An insidious racism is at play in interviewer Henri Renaud’s attempt to groom Thelonious Monk for public consumption on French television.
The last few years at the museum have not been without controversy, and Decatur will inherit a record of workforce struggles.