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by
Natan Last
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‘Tis the season of overconsumption and holiday overwhelm, so perhaps a crossword on old and new art history is just the thing to ease you into the year’s end.
Marta Minujín, a Mona Lisa look-alike, comic art traditions, and more feature in this month’s puzzle, which we hope invites you to learn, even laugh, if you come across a hiss-terical clue (hint, hint).
Natan Last’s essays, poetry, and crossword puzzles appear in The New Yorker, The Atlantic, Narrative, Los Angeles Review of Books, and elsewhere. He is currently writing a nonfiction book about crosswords. More by Natan Last
“No Met Gala while bombs drop in Gaza,” hundreds chanted during a march near the museum.
Political cartoons abound, long-lost sculptures resurface, and strange monarchical monuments crop up in this month’s puzzle.
A 40-minute dance performance, themed around the four elements of fire, air, earth, and water, takes center stage at NYUAD Art Gallery for a limited series of shows.
As seen at Ridgewood Open Studios, a wide array of art, galleries, and studio spaces nestle in the crevices of this Queens neighborhood.
A new show at the Menil Collection in Houston raises important questions about the ways that we remember and historicize artists.
Chryssa’s long unseen neon sculptures shine again in a new groundbreaking exhibition. On view now through July 27 in Chicago.
The artist’s exploration of counter-narratives in Turkey plays with the tension between representation and manipulation that is inherent in image creation.
What role can art play in helping us understand a time of great chaos and what role can national pavilions play in a time when nation states are ever present?
Work by graduate artists of the School of the Museum of Fine Arts at Tufts University is on view May 6–19 in Massachusetts.
The painter and sculptor reoriented the North American arts landscape, defying any strict characterizations of his work as it evolved across concepts and media.
As black luxury SUVs dropped off guests, faculty demanded the resignation of UCLA Chancellor Gene Block, a member of the Hammer’s board of directors.
