A retrospective pays homage to the pioneering artist and curator, who passed away last year.
Thalia Field’s poems collage scientific, historical, and philosophical sources to explore speciesism.
Ungaretti should be numbered among the ranks of such Great War poets as Wilfred Owen, Siegfried Sassoon, and Isaac Rosenberg.
Jon Imber, who succumbed to ALS in 2014, emulated Guston, de Kooning, and others while developing a provocative and personal vision of figure and landscape.
Neely has created paintings that respond to some of the major issues of the day: climate change, environmental water loss, and immigration.
Susan Barba’s poems are both environmental plea and protest, at once personal and broad.
A tree is never just a tree, a water source is never just a water source in the works of Barbara Moore and Sharon Adamson. “They’re all signs of ancestral action.”
Baron Wormser offers empathetic but unflinching portraits of a diverse group of historical figures.
Diana Cherbuliez’s Trigger Warning looks at our society, where disasters occur on a regular basis and are fodder for our cultural anxieties and voyeurism.
Ann Craven’s painted birds, set against a soft-focus background, have a kitsch quality, but with a provocative edge.
Dan Mills delves into the devastating numbers of threatened populations around the world and then converts them into chaotically beautiful cartographies.
These paintings are more than color-field eye candy and hold their own as engaging abstracts.