Young Sun Han’s art explores sometimes painful, sometimes revelatory aspects of his family’s narrative and Korean history more generally.
Carl Little
Carl Little’s most recent book is Irene Hardwicke Olivieri: Closer to Nature (Pomegranate). He helped produce the film Jon Imber’s Left Hand, which premieres at the Maine Jewish Film Festival in March. He lives on Mount Desert Island.
The Machine Aesthetic in George Rickey’s Sculptures
Belinda Rathbone’s biography traces the sculptor’s embrace of kinetic mechanisms to his work in the Singer Sewing Machine factory.
David Driskell’s Wheel of Action
A retrospective pays homage to the pioneering artist and curator, who passed away last year.
Humankind’s History of Betraying Animals
Thalia Field’s poems collage scientific, historical, and philosophical sources to explore speciesism.
Giuseppe Ungaretti’s Wartime Poems
Ungaretti should be numbered among the ranks of such Great War poets as Wilfred Owen, Siegfried Sassoon, and Isaac Rosenberg.
An Artist Who Lived to Paint
Jon Imber, who succumbed to ALS in 2014, emulated Guston, de Kooning, and others while developing a provocative and personal vision of figure and landscape.
Anne Neely’s Ethical Abstractions
Neely has created paintings that respond to some of the major issues of the day: climate change, environmental water loss, and immigration.
A Poet Defends the Earth
Susan Barba’s poems are both environmental plea and protest, at once personal and broad.
Two Aboriginal Artists Pay Tribute to Their Homeland
A tree is never just a tree, a water source is never just a water source in the works of Barbara Moore and Sharon Adamson. “They’re all signs of ancestral action.”
A Poet Takes Up Biography
Baron Wormser offers empathetic but unflinching portraits of a diverse group of historical figures.
An Artist Looks Hard at Painful Images
Diana Cherbuliez’s Trigger Warning looks at our society, where disasters occur on a regular basis and are fodder for our cultural anxieties and voyeurism.
Extraordinary Paintings of Ordinary Birds
Ann Craven’s painted birds, set against a soft-focus background, have a kitsch quality, but with a provocative edge.