We cannot be indifferent to the long-lasting effects of photography. The photographs at the center of Lanier v. Harvard are relentless in making Renty and Delia Taylor work and perform as slaves. The pain inflicted on them has not ceased. Photography has the capacity to propagate harm, and we have the moral obligation to interrupt its effects. Renty and Delia’s relatives perceive this indignity every day, and the sooner we take action to halt this pervasive effect the better.