Mason’s expansive Chelsea studio became her tuning fork — the barometer she used to check that colors and shapes were humming at the right frequency.
The veteran photorealist painter talks to Hyperallergic about her work and her new film biography, Queen of Hearts.
Partly thanks to Carriera’s skill and clever marketing, pastel portraits became one of the most popular art forms of the Rococo era.
Tanner avoided the cameras for much of his life, but a new documentary on Black American creatives who moved to France finds candid home movie footage of him.
Polish art historian Marika Kuźmicz has begun a project to research the biographies of overlooked female artists, locate their archives, and make the information and images available in a free online database.
Thomas and fellow artist Ebony Brown talk about interdependence and How to Live Through a Police Riot, an archival handbook that inspired his 2018 series.
“You don’t have to make things easy for them,” says Red Star about her new exhibition for children at MASS MoCA.
During the War of 1812, British troops intended to ransack the American capital. The First Lady took credit for saving White House valuables, but, as Jennings wrote in his memoir, this was “totally false.”
The portrait is a window into the life and work of the painter and gallerist Anna Walinska, who gave Gorky his first solo exhibition in New York.
Giovanna Garzoni’s tablescape was a map of the world, and she wanted to chart every detail.
Reading between the lines of contact information for friends, graphologists, psychoanalysts, and plumbers, Brigitte Benkemoun’s Finding Dora Maar reveals a map of a bygone France.
Museumgoers of the vegan variety don’t heap ham, cheese, and eggs onto their plates — and some don’t want to see the stuff when they’re strolling through the Prado Museum, either.