Sandra Gould Ford and LaToya Ruby Frazier reveal a side of the city that is rarely seen by outside observers or even many of its contemporary, white-collar locals.
By illustrating the impact that the Great Mississippi Flood of 1927 had on Southern black communities, Saar exposes a neglected history and its resonance with environmental racism.
Sonya Clark’s performance Unraveling comes at a time when racists feel newly emboldened to display their bigotry.
Abdulnasser Gharem’s works question initial perceptions and reveal inherent contradictions about Islamic and Arabian art and culture.
The Future Is Female focuses primarily on the work of women artists who came of age after the Women’s Art Movement.