Art
Richard Hull’s Hall of Mirrors
Hull’s “stolen portraits” are funny, weird, seductive, robust, mysterious, saucy, and nearly impossible to decipher.
John Yau is an award winning poet, critic, curator, and publisher of Black Square Editions. He has published over 50 books of poetry, fiction, and art criticism.
Art
Hull’s “stolen portraits” are funny, weird, seductive, robust, mysterious, saucy, and nearly impossible to decipher.
Art
An exhibition offers a glimpse of Vera Molnar’s career, from post-Constructivist abstraction to her use of a computer to make drawings.
Art
In Vásquez de la Horra’s cosmology, we encounter fantastical creatures on whatever journey we take, whether it is to a real place or an imagined future.
Art
Julia Bland combines weaving with paint to make works that don’t quite fit comfortably in a single category.
Art
For DeFeo, Surrealism was not a technique, but a state of seeing and experiencing everyday life.
Art
Inspired by Dada, Sullivan has transformed its dark, destructive impulses into something else.
Art
DiBenedetto is exploring a realm where figuration and abstraction have collapsed, and the body and the paint are inseparable.
Art
Martin Barré’s work refutes the American view that painting is something that could be used up — as if it came in a pail rather than a well.
Art
Rosalind Krauss misreads Twombly in more ways than I can enumerate.
Art
Otis Jones proves that painting’s parameters continue to be commodious — even reductive painting has not been used up.
Art
Lawson confronts viewers with multifaceted visions of black identity, as embodied by strangers and neighbors alike, with whom she has established an intense rapport.
Art
Douglas Florian’s choice of words reminds us how much our nation indulges in name-calling and name checks.