Art
Lui Shtini’s Enigmatic Paintings
I imagine that Lui Shtini has a growing group of admirers – many of them painters – just as Myron Stout, Christina Ramberg, Barbara Rossi, and Thomas Nozkowski did before him.
Art
I imagine that Lui Shtini has a growing group of admirers – many of them painters – just as Myron Stout, Christina Ramberg, Barbara Rossi, and Thomas Nozkowski did before him.
Art
His work suggests that once Bradley conceives of his project, he is able to pass effortlessly through the style, like an adept actor able to play any role as long as it isn’t too serious and doesn’t require a lot of feeling.
Art
Steve DiBenedetto has not been sitting still. I cannot imagine that he ever does.
Art
Raymond Foye – who possesses an encyclopedic knowledge of various underground currents of poetry, music, and art – is the only person on the planet who could have conceived of this exhibition, Dark Star: Abstraction and Cosmos at Planthouse.
Art
Since 2001, Melissa Meyer has continued to reinvent herself without severing her connections to Abstract Expressionism or, more particularly, the brushstroke and drawing in paint.
Art
Dufresne’s drawings are humorous, whimsical, tender, odd, sarcastic, fantastic, sympathetic, and sweet. She celebrates the wacky and wonderful side of human behavior when overtaken by erotic passion, as well as reaches inexplicable places in our imagination.
Art
I don’t think it is hard to understand why Sandra Vásquez de la Horra’s pencil drawings depict dejected, often isolated figures from a domain that is simultaneously fairy tale, horror story, and dream.
Art
I first became aware of Carole Seborovski’s work in the mid-1980s, when she was a geometric artist working on paper with a restrained palette.
Art
Why doesn’t the Whitney Museum of American Art inaugurate a series of exhibitions in honor of Herman Melville? It would certainly be fitting given the museum’s recent change of address.
Art
You know something is going on when you stare at work hanging on one wall and forget to look at what is on the gallery’s other three walls.
Art
Many writers – including, most recently, Peter Schjeldahl in the venerable magazine, The New Yorker – have characterized David Hammons as “elusive” and “difficult.” According to Schjeldahl: “The artist spoke with me, bracingly and delightfully, for a column in this magazine, in 2002. He wouldn’t do
Art
Plimack Mangold’s floor and ruler paintings are smart, tough, assured, direct and, more than forty years after she did them, they remain challenging: works in which she literally and figuratively cleared a space for herself in ways that have yet to be fully recognized.