Art
Without Content Doesn’t Mean Empty
Lacey Black and Aubrey Levinthal share a talent in their paintings for bringing inward and outward states together until they are one.
John Yau is an award winning poet, critic, curator, and publisher of Black Square Editions. He has published over 50 books of poetry, fiction, and art criticism.
Art
Lacey Black and Aubrey Levinthal share a talent in their paintings for bringing inward and outward states together until they are one.
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The artist, a pioneering member of Lexington’s LGBTQ+ art world, used circus and sideshow imagery to create poignant meditations on isolation.
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In a career that stretches across a catastrophic half-century of health crises and wars, Avery applies his activist and empathetic social conscience to all he does.
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The more time I spent at Four Chicago Artists, the more I wanted to know about the less familiar paths these artists took in their work.
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The fluidity of the artist’s line parallels her thought process and openness to taking unexpected paths, often prompted by a memory or life event.
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Scholder, who called himself a "non-Indian Indian," refused to conform to expectations and rejected limiting definitions of his identity as Native American.
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Milroy begins his paintings with direct observation but ends up someplace that I cannot name.
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The tension between moments of quiet joy and inevitable calamity in Gu's ethereal portraits is riveting.
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I can think of no other painter who can so effectively pull the viewer into a space where clarity and puzzlement cannot be separated.
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Working with line and color for more than two decades, Meyer has shown that reductive painting need not squeeze out improvisation.
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Helander removes her art from the frozen time in which still life paintings exist and reminds us that the moment recreated has already come and gone.
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Fiercely independent, the artist belongs to no art group, movement, or style.