Fernández employs motifs of darkness and obscurity to hint at the something beyond what we see.
Mattingly’s landscape photographs evoke each site’s geologic timeline.
Skinner imagines the jury-rigged technology that would enable survival in the wake of apocalyptic climate disaster.
In her film on view at the Shed, the artist explores dirt’s unsettling aesthetic effects, as well as its conceptual resonances.
Andy Goldsworthy’s installation seeks to signal anti-imperialism at a notoriously capitalist site.
When used as wayfinding landmarks or burial mounds, piles of stones can have an air of mystery about them.
The cultural center has successfully reimagined an exhibition to better suit an online presentation.
How do we experience eco-art online and what might it suggest about the nature of the digital gallery experience?
Sarah Rothberg and Marina Zurkow reveal water’s unearthliness.
At the Aldrich Contemporary Art Museum, artworks confront their own untimeliness through appeals to a deeper, more cosmic, sense of space and time.
Objects on display designed to be green substitutes for those that are ecologically harmful or failing are among the most thought-provoking in this exhibition.
Spanning half a century, this retrospective reveals Denes’s art to be so forward-looking that some of it remains ahead of its time even today.