Employing drones, Mosse creates psychedelic aerial maps of ecological degradation.
Author Archives: Louis Bury
Louis Bury is the author of Exercises in Criticism (Dalkey Archive Press, 2015) and Assistant Professor of English at Hostos Community College, CUNY. He contributes regularly to BOMB, and has published art writing in the Brooklyn Rail and Art in America, as well as creative writing in Boston Review and the Believer.
Posted inArt
Levan Mindiashvili’s Childhood Memories
Mindiashvili’s installations strike a teasing balance between disclosure and concealment.
Posted inArt
Mira Dayal Maps a Gallery Floor
The graphite floor map can be understood as a post-apocalyptic landscape, a commentary on artistic labor, or a parable about COVID-era confinement.
Posted inArt
Art That Goes With the Floe
Works by 10 artists have been installed on an ice floe in arctic Sweden where they will remain until the ice melts and they sink into the sea.
Posted inArt
Teresita Fernández Depicts Caribbean Colonialism and Eco-Trauma
Fernández employs motifs of darkness and obscurity to hint at the something beyond what we see.
Posted inArt
Mary Mattingly Confronts Climate Change With Utopic Resourcefulness
Mattingly’s landscape photographs evoke each site’s geologic timeline.
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Zac Skinner’s Survivalist Sculptures
Skinner imagines the jury-rigged technology that would enable survival in the wake of apocalyptic climate disaster.
Posted inFilm
Kiyan Williams Digs Into the Meaning of Soil
In her film on view at the Shed, the artist explores dirt’s unsettling aesthetic effects, as well as its conceptual resonances.
Posted inArt
Red Flags Are Flying at Rockefeller Center
Andy Goldsworthy’s installation seeks to signal anti-imperialism at a notoriously capitalist site.
Posted inArt
Martha Tuttle’s Sentient Stones at Storm King
When used as wayfinding landmarks or burial mounds, piles of stones can have an air of mystery about them.
Posted inArt
Take a Virtual Nature Walk at Wave Hill
The cultural center has successfully reimagined an exhibition to better suit an online presentation.
Posted inArt
Nature as Filtered Through a Screen
How do we experience eco-art online and what might it suggest about the nature of the digital gallery experience?