Combining elements of Surrealism, Symbolism, and portraiture, Vicuña’s paintings are parables of personal and political awakening.
Riley’s nautical-themed exhibition brims with antic details that constitute a feat of serious world-building.
An artist book introduced by curator Bob Nickas seeks to introduce a new generation to the artist, who abandoned her art career 30 years ago to practice social work.
For all its quirks, Sprout Hinge Nap Wobble’s immersive elements never feel gimmicky.
The artist’s wall-size drawing evokes a geologic mood within a neighborhood that has changed in recent decades.
Puerta’s artworks strike a gentle balance between whimsy and sincerity.
A conversation with Richard Kraft about his artist book in which he created penalty flags for nearly 10,000 of Trump’s misdeeds.
The animal carcass sculptures are gruesome yet their materials — the artist’s own discarded clothing — lend them some gentleness.
This group show proposes fresh paradigms of land ownership and art making in contrast to the rugged individualism of much early Land Art.
Speculations about climate change by an array of artists feel eerily probable, if not already real.
Mark Hage’s photos of empty storefronts reveal how real-estate development leaves behind sites of civic neglect.
Gyun Hur’s and Shoshanna Weinberger’s installations emphasize poetic innuendo rather than overt autobiography.