Koestler Arts works with incarcerated people and patients in secure mental health units, aiming to improve their lives through creativity.

Naomi Polonsky
Naomi Polonsky is a London-based curator, art critic, and translator. She studied at the University of Oxford and the Courtauld Institute of Art and has experience working at the Hermitage Museum and Tate Modern. She has written for the Times Literary Supplement and The Calvert Journal. Follow her on Twitter @NaomiPolonsky
A Joyous Carnival to Celebrate David Graeber’s Lasting Legacy
Artists gathered for the launch of the new David Graeber Institute, which will oversee the scholar’s archive of unpublished texts and pursue projects around climate change, debt, labor, and war.
Why Do Artists Keep Painting “The Women in the Window”?
The exhibition Reframed: The Woman in the Window explores the acts of looking and being looked at, framing, and art making.
Protesters Urge British Museum to Return the Parthenon Marbles
In an action at the museum this weekend, participants made impassioned speeches calling for the return of the sculptures and sang “Happy Birthday” to the Acropolis Museum.
Hundreds Storm British Museum to Protest Fossil Fuel Sponsorship
The daylong demonstration culminated in a mass action and occupation of the museum after hours.
The Forgotten Story of Modern Art’s Great Jewish Collectors
Charles Dellheim’s study tells the tale of a small group of Jewish art dealers and collectors who played a key role in the changing art world of the 19th and 20th centuries.
The Restless Spirit of Lubaina Himid
Lubaina Himid’s Tate exhibition is a conversation, a rhetorical question, an experiment. Like opera, from which it draws its inspiration, it aims to be “a total work of art.”
Jean Dubuffet’s Highs and (Controversial) Lows
Curiously, Dubuffet’s anti-hierarchical approach to art did not translate to similar views on society.
Climate Activists Occupy London’s Science Museum to Protest Shell Sponsorship
During the two-day protests, activists explained that they “won’t stand by and let the Science Museum green-wash Shell’s reputation.”
Jennifer Packer’s Lucid Tributes to Black Life
In Packer’s canvases, swathes of abstraction express aspects of human experience that lie beyond representation.
A Beguiling Look at the Biases of AI
With Bloom, Trevor Paglen collapses distinctions between the real and virtual, laying bare the prejudices embedded in supposedly objective artificial intelligence systems.
Toyin Ojih Odutola’s Skillfully Flips the Script of Art History
In A Countervailing Theory, her current exhibition at the Barbican Centre, Ojih Odutola’s alternative histories take on a more epic, mythic scale.