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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Natalie Haddad

Natalie Haddad is an editor at Hyperallergic and art writer. She received her PhD in Art History, Theory and Criticism at the University of California San Diego. Her research focuses on World War I and Weimar-era German art. She has written extensively on modern and contemporary art and has contributed essays to various art publications and exhibition catalogues.

Posted inArt

The Twilight States of Jonathan Meese

by Natalie Haddad December 3, 2016December 2, 2016

Since the early 2000s, Jonathan Meese, who is based in Hamburg and Berlin, has cultivated a persona as a propagandist for what he calls the Dictatorship of Art

Posted inArt

Kate Levant’s Invisible Systems

by Natalie Haddad November 5, 2016November 4, 2016

Simultaneously sparse and immersive, Valerian Dials for Trembling Hands evokes the stillness of an ocean after a shipwreck or storm.

Posted inArt

Kate Levant’s Chicago Witches

by Natalie Haddad October 29, 2016October 29, 2016

Formally, Kate Levant’s work has become more rigorous and complex since Blood Drive, and the art-activism of that show has given way to encoded references touching on sociopolitical issues.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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