Formally, Kate Levant’s work has become more rigorous and complex since Blood Drive, and the art-activism of that show has given way to encoded references touching on sociopolitical issues.
Natalie Haddad
Natalie Haddad is a co-editor of Hyperallergic Weekend. She received her PhD in Art History, Theory and Criticism at the University of California San Diego. Her research focuses on World War I and Weimar-era German art. She has written extensively on modern and contemporary art and has contributed essays to various art publications and exhibition catalogues.