• Sign In
  • Become a Member
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Instagram
  • Mastodon
  • LinkedIn
  • Facebook
  • Twitter
  • Tumblr
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Instagram
  • Mastodon
  • LinkedIn
  • Facebook
  • Twitter
  • Tumblr
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
  • Sign In
  • Become a Member
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Instagram
  • Mastodon
  • LinkedIn
  • Facebook
  • Twitter
  • Tumblr
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
Skip to content
Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

Avatar photo

Natalie Weis

Natalie Weis is a writer and art critic based in Louisville, Kentucky. Her interests include emerging artists working on the periphery—both geographically and in their chosen mediums. Her writing has appeared in Sculpture magazine, Collectors, Burnaway and Ruckus, as well as on WFPL, Louisville’s NPR radio station. You can read her writing at natalieweis.com.

Posted inNews

Museum Hosts Community Iron Pour for People Affected by Gun Violence

Avatar photo by Natalie Weis June 22, 2022June 28, 2022

Participants created artworks that will be exhibited at the Speed Art Museum in Louisville, Kentucky.

Posted inArt

Sanford Biggers Cracks the Code of Quilts

Avatar photo by Natalie Weis June 19, 2022June 17, 2022

Billed as a “survey of quilt-based works,” Sanford Biggers: Codeswitch feels less like an overview of one section of the artist’s oeuvre and more like a record of his creative process overall.

Posted inArt

Joy and Terror Coexist in Vian Sora’s Unsettling Paintings

Avatar photo by Natalie Weis March 30, 2022March 30, 2022

The capacity to reside in joy and terror in equal measure gives Sora’s paintings their unsettling power, a brutal acknowledgment that creation coexists with destruction.

Posted inArt

An Artist Goes Home to Her Appalachia

Avatar photo by Natalie Weis February 3, 2022February 4, 2022

The paintings that form the heart of Ceirra Evans: It’s Okay to Go Home offer a more complex and generous response to the stale and sneering stereotypes of Appalachia.

Posted inArt

The Graceful Instability of Kiah Celeste’s Art

Avatar photo by Natalie Weis September 22, 2021September 22, 2021

Celeste’s sculptures all rely on natural forces to achieve balance, and thus are perpetually on the precipice of collapse.

Posted inArt

Together in Peace and Protest

Avatar photo by Natalie Weis July 31, 2021July 30, 2021

Not all of the scenes Dianna Settles paints are pleasant, but that seems to be the point: for better or worse, we are undeniably yoked in our collective experience of being human.

Hyperallergic
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn

Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

  • Home
  • Latest
  • Podcast
  • Store
  • About
  • Support Us
  • Advertise
  • Contact Us
  • Sign In
  • Membership
  • Newsletters
  • Submissions
  • Careers
© 2023 Hyperallergic. Proudly powered by Newspack by Automattic Privacy Policy