Art
Joy and Terror Coexist in Vian Sora's Unsettling Paintings
The capacity to reside in joy and terror in equal measure gives Sora's paintings their unsettling power, a brutal acknowledgment that creation coexists with destruction.
Natalie Weis is a writer and art critic based in Louisville, Kentucky. Her interests include emerging artists working on the periphery — both geographically and in their chosen mediums.
Art
The capacity to reside in joy and terror in equal measure gives Sora's paintings their unsettling power, a brutal acknowledgment that creation coexists with destruction.
Art
The paintings that form the heart of Ceirra Evans: It’s Okay to Go Home offer a more complex and generous response to the stale and sneering stereotypes of Appalachia.
Art
Celeste’s sculptures all rely on natural forces to achieve balance, and thus are perpetually on the precipice of collapse.
Art
Not all of the scenes Dianna Settles paints are pleasant, but that seems to be the point: for better or worse, we are undeniably yoked in our collective experience of being human.