Art
Art That’s Too Lovely to Make Its Politics Convincing
Elias Sime's work at James Cohan gallery reclaims and transforms e-waste into art. While an act of conscience, I can’t help but think that the work is swamped by its own aesthetics.
Art
Elias Sime's work at James Cohan gallery reclaims and transforms e-waste into art. While an act of conscience, I can’t help but think that the work is swamped by its own aesthetics.
Art
At Richard Taittinger Gallery, painter Nirveda Alleck and sculptor Eric van Hove evoke the mechanics of the modern world.
Art
If there ever was one American psychic space, soul, or ethos, it forked a long time ago into divergent streams you can see in this show.
Performance
A show at 3-Legged Dog relies on the premise that the patient — the nation — is so ill, the most barbaric form of intervention is necessary: bloodletting.
Art
A show in Harlem takes on the human form with some surprising results.
Art
There's something confident about this old-school European fair — the exhibitors let the game come to them.
Performance
The Drum Major Instinct, a performance of Dr. Martin Luther King Jr.'s final sermon, sought to evoke that feeling of being in church on a Sunday morning.
Art
Aspects of Ori Gersht's images are fused and inverted, reflections made into a world I can visually swim in.
Art
Entang Wiharso’s solo exhibition at Marc Straus Gallery is filled with nightmarish allegories and provocative entanglements.
Art
The exuberant and enigmatic artists at the International Festival of Performance Art in Fort-de-France either approached performance as physical labor or abstract ritual.
Art
March Madness at Fort Gansevoort cleverly presents the appurtenances of sports: the equipment, trophies, and objects that adorn athletic bodies.
Art
At the International Festival of Performance Art in Fort-de-France, performers are given free reign to do what they want without thematic direction or much curatorial oversight.