Announcement
Sakuliu Pavavaljung to Represent Taiwan at 2021 Venice Biennale
For over 30 years Sakuliu has used his art to retrace and revitalize his traditional Paiwan culture, even infusing it with a contemporary spirit.
Announcement
For over 30 years Sakuliu has used his art to retrace and revitalize his traditional Paiwan culture, even infusing it with a contemporary spirit.
Announcement
This exhibition celebrates the 20th anniversary of the Taipei and Perth sister-city relationship and includes a series of events centered on Taiwan-Australia exchanges.
Announcement
3x3x6 spans four rooms of the Palazzo delle Prigioni with an immersive, multidimensional installation. On view from May 11 - November 24, 2019.
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For Taiwan’s presentation, Cheang will create a new work inspired by the history of the exhibition venue, Palazzo delle Prigioni. On view from May 11 - November 24, featuring a public performance on May 11.
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This exhibition explores the contemplation of time, identity, memory, music and language. On view April 20–July 21.
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Shu Lea Cheang presents a site specific multimedia research project including images, installations, and computer programming that explores the ideas of confinement and liberation.
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Participants of Post-Nature—A Museum as an Ecosystem include visual artists, NGOs, activists, film and documentary makers, architects and other non-visual artists.
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Artists from 19 countries will be participating in the 11th edition of the Taipei Biennale titled Post-Nature—A Museum as an Ecosystem.
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The first woman artist to be selected since Taiwan began holding single-artist exhibitions at the Venice Biennale.
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Taiwan’s exhibition for the 2017 Venice Biennale — Doing Time — opens at the Palazzo delle Prigioni on May 10.
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Like the process of self-psychotherapy, the exhibition RIVERRUN offers a broadly inclusive, all-encompassing view of the writing and reading of art.
Announcement
Seen by many as a highly influential figure in the history of conceptual and performance art, Tehching Hsieh’s renown emanates from a staggering series of One Year Performances in the early 1980s: ‘rule-based’ works conducted at the limits of human endurance.