Art
Mapping the Body: Mark Bradford’s New Work
Three years ago I wrote a review titled “Is Mark Bradford the Best Painter in America?” It wasn’t an altogether serious question, but it wasn’t facetious either.
Thomas Micchelli
Art
Bodies at War: ‘Soldier, Spectre, Shaman’ at MoMA
World War II signaled the death of figurative art, or so the High Modernist narrative once contended.
Art
Something Worth Arguing About: Frank Stella Fills the Whitney
Frank Stella: A Retrospective, which opened yesterday at the Whitney Museum of American Art, is a brilliantly curated, blatantly overhung masterstroke of an exhibition that turns the artist’s weaknesses into strengths and his strengths into powerhouses.
Art
“Insanity, Chaos, Weirdness”: Gregory Gillespie’s Solitary Path
When I left Gregory Gillespie: rorschaching at Steven Harvey Fine Art Projects on the Lower East Side, I decided to leave it alone.
Art
Coming Back to Kiefer
NORTH ADAMS, Mass. — Nearly eight years ago I wrote a review leading off with the question, “What is it about Anselm Kiefer’s art that inhibits unfettered admiration?”
Art
Unreliable Informants: A Walid Raad Primer
The survey exhibition dedicated the work of Walid Raad, which opens to the public on Monday at the Museum of Modern Art, is a rich and compelling point of entry for anyone seeking a handle on this sly and elusive artist.
Art
Every Picture in the World: William Buchina's Dream Logic
William Buchina’s disquieting, enigmatic, and prodigiously complex paintings are one artist’s answer to the relentless media barrage that defines our visual culture, counteracting its torrent of images with a seemingly inexhaustible barrage of his own.
Art
The Skin She Lives In: Jackie Saccoccio Paints Big
To say that Jackie Saccoccio’s big, drippy, radiant abstractions are all about surface — the skin of the paint — is to say everything and nothing about them.
Art
Wreckage upon Wreckage: Elana Herzog’s 'Angel of History'
SHIFT; The Angel of History, an installation by Elana Herzog at Studio 10 in Bushwick, is a witheringly beautiful meditation on the murderous elegance of fate.
Art
The Anti-Expressionist: Jack Tworkov’s Paradigm Shift
One of the many striking works in the exhibition Jack Tworkov: Mark and Grid is a large abstraction from 1977 called “Knight Series #8 (Q3-77 #2).” Resembling a Synthetic Cubist floor plan, it is in fact an experiment in gaming that looks back to the anti-art of Marcel Duchamp and forward to the rul
Art
Going Meta: Art after the Death of Art
Terminology is slippery, and using it as the premise for an exhibition can be slipperier still. But the concept underlying Metamodern, a group show at Denny Gallery on the Lower East Side, actually holds the potential to enrich an already strong array of works with a few additional, if speculative,
Art
Failing Better: Erroneous Art at Lisa Cooley
There’s a bit of curatorial sleight-of-hand in I Dropped the Lemon Tart, the summer show at Lisa Cooley on the Lower East Side. The title refers to a real-life mishap in a restaurant kitchen where imminent culinary fiasco turned into a triumph of pluck and invention.