A new book introduces two Manoucher Yektais: the stateless, anti-historical Modernist painter and the poet writing narrative verse exclusively in Farsi.
Kadish’s fossil-like heads, forms, and figures remind us that every civilization, including our own, eventually collapses.
Somehow, the poisonous American anger that swirled around Guthrie never corrupted that innate creative optimism. Empathy was his reliable muse.
As Tanning took up midcentury painterly abstraction, key philosophical themes from her earlier phantasmal narrative paintings undergo transformations and reiterations.
Byrne’s drawings makes me wonder what else art is for, but to remind us that what we call “being reasonable” is too often our expedient alibi for not using our imagination.
Ryan harnessed visual art as a means for creating poetry through the relatively new, nonverbal idioms of American abstract art.
Schloss’s The Loft Generation creates a mirror-memoir, as literary portraiture doubles as veiled self-portraiture.
Agustín Fernández’s visual innuendos seduce the viewer into lingering on the threshold of visual perception.
Curators and scholars have increasingly highlighted the importance of poetry to Mitchell’s art, though usually with so much circumspection that the link still remains obscure.
Since Aimé Césaire’s death in 2008 at the age of 94, as democracies devolve into autocracies, his Discourse on Colonialism remains prescient about the barbarity that informs civilization.
Barbara Guest stands apart as a radical traditionalist, committed to poetry’s clairvoyant, mythical potentials.
Murray came of age at a time when brutal circumstances coincided with buoyant Modernity.