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Nominate an At-Risk Site to the World Monuments Fund's 2022 Watch List
The nonprofit is encouraging nominations that intersect with three major risk factors: climate change, underrepresented heritage, and imbalanced tourism.
Valentina Di Liscia is a Senior Editor at Hyperallergic. Send her your inquiries, stories, and tips to valentina@hyperallergic.com.
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The nonprofit is encouraging nominations that intersect with three major risk factors: climate change, underrepresented heritage, and imbalanced tourism.
Art
The New York artist collective Fort Makers has recreated the bedtime classic in an exhibition featuring newly commissioned paintings and design.
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Changes in the university’s healthcare plan have largely affected workers at Parsons School of Design, where part-time faculty make up at least 85% of the teaching staff.
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After an independent investigation found David Alan Harvey’s actions “a breach of Magnum’s Code of Conduct,” the photographer resigned from the agency.
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The cover is the work of four APPI women at the magazine, reflecting on the rise of anti-Asian violence in the wake of this week's horrific hate crimes.
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Connecticut Attorney General William Tong called for protections that would allow museums to get out of perpetuity contracts without facing lawsuits.
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A number of users have taken to Twitter to claim they had their non-fungible tokens (NFTs) stolen by hackers on Nifty Gateway, with little recourse to get them back.
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Former publisher Knight Landesman is no longer a co-owner of the publication. He was accused of sexual harassment by Schmitt and at least eight other women in 2017.
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Allegations overheard include descriptions of director Salvador Salort-Pons’s leadership as “erratic, autocratic, condescending” and “intolerant of dissent.”
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As crypto art speculation rises, so do the planet’s temperature and questions about the carbon footprint of non-fungible tokens.
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In addition to looting and damaging furniture and spraying graffiti throughout the complex, insurrectionists vandalized six sculptures and two paintings.
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The looted status of the stele has been well documented since the 1980s, but it wasn’t until this year that the FBI and Dallas Museum of Art collaborated to return the religious artifact.