Betye Saar Dies at 99

The beloved artist dies just four days before her 100th birthday. Also, Trump crosses a new line in his war against the Smithsonian.

Today we begin with sad news: Betye Saar dies in Los Angeles just four days before her 100th birthday. Read Associate Editor Lisa Yin Zhang's obituary of the beloved assemblage artist, who inspired many. 

In other stories, the Smithsonian is under attack, again. In the latest episode of the Trump administration's war against the DC institution, the president orders the installation of signs that warn visitors about “extreme political activism” at the National Museum of American History (NMAH). This is not a bad dream — it's all real. 

"No other president has seen fit to vandalize taxpayer-funded museums with a billboard telling people not to go inside, while directing them to more politically 'palatable' — which is to say extreme right-wing — revisions of the historical record," writes Ed Simon in an urgent opinion piece today. Also, check out Staff Writer Rhea Nayyar's tier list ranking of the most ridiculous questions that NMAH Director Anthea Hartig had to answer during a recent congressional hearing. “Is Mickey Mouse racist?” one Republican congressman asked her.

—Hakim Bishara, editor-in-chief


The Smithsonian Is Not the President’s Museum

In 1846, the Smithsonian Institution was established, in the words of its benefactor and namesake, British scientist James Smithson, “for the increase & diffusion of Knowledge among men.” Today, the 21 museums centered in Washington, DC, and more than 200 affiliates throughout the United States, have indeed increased and diffused knowledge in the maintenance of an astounding 157 million objects. Along with the preservation and distribution of knowledge — never a neutral term — these museums have been the site of discourse and debate, conversation and controversy, as any indispensable cultural institution should be.

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Through powerful interviews and archival insight, Black Curators Matter chronicles the voices and visionaries who reshaped American museums from the 1970s to today.

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More On the Smithsonian

Smithsonian Hearing’s Most Bizarre Moments Ranked by Tier

“Is Mickey Mouse racist?” Texas Republican Congressman Brandon Gill asked National Museum of American History Director Anthea Hartig.

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Trump Orders Installation of Warning Signs Outside Smithsonian Museum

The administration’s demand comes just days after the director of the National Museum of American History testified before a congressional subcommittee. | Isa Farfan

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News

  • Betye Saar dies at 99 in Los Angeles. Her visionary assemblages recast the debris of American history into monuments of Black resilience and liberation.
  • Elon Musk promises to use his AI platform, Grok Imagine, to create his own full-length version of The Odyssey by the end of this year.
  • The European Central Bank reveals 10 shortlisted design proposals for euro banknotes centered on either the theme of “European culture” or “rivers and birds” — and Leonardo da Vinci is in one of the designs.

From Our Critics

An Exhibition Lets Self-Taught Artists Speak for Themselves

At the Folk Art Museum, “Self-Made” overcomes the problem of “insiders” ventriloquizing self-taught artists. | Ekin Erkan

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Member Comment

Maybe he didn't want to sit outside for hours on end waiting for oil paints to dry, or have to cart an easel everywhere. Maybe the iPad gave him the ability to paint and create uninhibited, scrolling and creating without having to start a new painting each time, each observation stepping from one moment to the next, each season morphing into another through a digital medium other than 'traditional' paint. Maybe he didn't want to create a masterpiece but to 'paint' using a different form of mark-making. Even with your eyes half closed, you can tell it's work by Hockney. It's still interesting and valid.

—Simon McClelland Morris on “You Can Love David Hockney and Still Hate His iPad Paintings

From the Archive

An Ode to Lois Dodd

A new monograph on the nonagenarian American painter is a well of bliss. | Hakim Bishara

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