Zhang Peili (张培力), frequently dubbed the father of Chinese video art, has a retrospective ongoing at Shanghai’s Minsheng Art Museum (民生现代美术馆). Dubbed Certain Pleasures (确切的快感), the show extends over two floors and three main gallery spaces, showing Zhang’s videos and high conceptual work.
Brazil is one of the fastest growing economies of the “developing world.” In fact, so much so that it is now considered an “NIC” or newly industrialized country, a term used to describe being in between “developing” and reaching “fully developed” status. Today, Brazil is looking towards a future as host to major global sporting events, the 2016 Olympic Games in Rio de Janeiro and the 2014 Soccer World Cup. Leading up to these events, global investment in the country is sure to rise, promising a healthy future for arts and culture on all levels of the spectrum.
Artist William Powhida has taken to Twitter for his latest project, “Everyone We’ve Never Met (from memory and imagination),” and he explains, “In another effort to broaden the project and to make the ideas of ‘Everyone’ mean more than Sheboygan and vacationers from Chicago in a way that I can still incorporate over the next two weeks, I am going to introduce it to Twitter and use this social media platform to ask people to share their memories through the drawings of others … “
Rackstraw Downes doesn’t seem like a radical. He is an understated Englishman who paints understated American landscapes. But when you think about how much of modern and contemporary art relies on juxtaposition or exaggeration for effects, Downes’s approach begins to seem downright revolutionary. “My idea is to paint the real nature of the world, which is always a complex mixture of things,” he told a packed auditorium at the Weatherspoon Art Museum in Greensboro, North Carolina, during a talk last month.
James Cohan Gallery’s most recent show Catch the Moon in the Water is an unexpected and thought provoking riff on the summer group show. The exhibition reflects on the work of young Chinese artists. The show’s title refers to the impossibility of capturing the moon from its reflection.