Posted inArt

The Universal Addressability of Dumb Things

BRIGHTON, U.K. — It was 1624 when the poet John Donne wrote: “No man is an island, entire of itself.” Nearly 400 years later he would have blown a gasket to see the way we use mobile phones and social networks. And were he to have seen a new show at Nottingham Contemporary, he might have been moved to add, “And no object either.” Artist-curator Mark Leckey has put together a range of art and artifacts with a wealth of connections to ourselves and each other. If Donne wrote his most famous line at a time of sickness, these days he might have jotted it down in a blog and been led to reflect that the web looks set to outlast us all.

Posted inArt

Art Rx

This week, the doctor wants to make sure you’re getting enough variety in your diet. She’s got a hodgepodge of events for you, from an artistic walk to an artists’ dialogue to an artist’s reading, plus a handful of openings.

Posted inArt

A Miniature Kingdom of Infinite Space

In art, control is an elemental if underappreciated principle. At a basic level, art entails control; control over material, control over process, a lack of control over chance. Amid the chaos of life, what do you seek to selectively remove and stage? Richard Avedon viewed it as art’s defining element, reflecting, “I think all art is about control — the encounter between control and the uncontrollable.”

Posted inArt

In Chicago, an Art Crawl on Steroids

CHICAGO — There was an art walk last Thursday evening in the River North district, an area with many upscale, decades-old galleries that some may consider conservative. Paintings and sculptures with big price tags on them shared the space with musicians, visiting speakers, and a musico-theatrical performance, while outside on the streets there were temporary installations on the sidewalks, paintings in a truck parked underneath the L tracks, and a work in progress by a street artist who had propped a wood panel against a big steel pillar.

Posted inArt

I, Selfie: Saying Yes to Selfies

CHICAGO — People online have a lot to say about selfies: love them, hate them, feel indifferent about them, think they’re part of internet culture, a place we escape to, meld with our offline lives (making for a fluid but often fraught IRL-URL existence), something we learn from. If the selfie is the ultimate mirror in our internet house of mirrors, and we can frame our photos and curate ourselves as we want others to see us, then surely the selfie is an act of taking back the gaze.

Sign In

We've recently sent you an authentication link. Please, check your inbox!

Sign in with a password below, or sign in using your email.

Get a code sent to your email to sign in, or sign in using a password.

Enter the code you received via email to sign in, or sign in using a password.

Subscribe to our newsletters:

OR

Privacy Policy