Emory Douglas’s Lifetime of Revolutionary Art

At age 83, the former Black Panther Party culture minister continues to explore the possibilities of unapologetically political art.

Emory Douglas’s Lifetime of Revolutionary Art
Emory Douglas, “Red White Blue Wickedness” (2025), digital archival print (image Max Blue/Hyperallergic)

SAN FRANCISCO — Emory Douglas honed his craft in the trenches of political artmaking. The artist first learned the basics of commercial printing while serving a 15-month sentence at a juvenile correctional facility at the age of 13; later, he became the minister of culture for the Black Panther Party, where he designed the party’s newspaper and shaped the group’s political aesthetic. Douglas’s deep-seated understanding of the strength of printed material and critical eye toward oppressive power structures have remained key features of his work for decades. 

Now, the 83-year-old artist is the subject of the survey exhibition Emory Douglas: In Our Lifetime at San Francisco’s African American Art and Culture Complex, complete with paintings, prints, and political cartoons spanning decades and issues. It makes the case that to be a contemporary artist, one must remain politically engaged, ever navigating and responding to the times they live in.